From the Marvel movies to the Arrowverse to even Tom Holland’s Spider-Man movies embracing this completely, but it’s really popular today that superheroes don’t have secret identities anymore.

The Academy changed a lot of their rules based on how inclusive the films now have to be. Oppenheimer may not be eligible for anything.

I was hoping there would be more to Florence Pugh’s arc that might have been left out. When [spoilers] happens, there’s a random shot that seems to come out of nowhere, with huge implications. With not much in the lead up and not much in that aftermath, it is the most bizarre way to try and be ambiguous in an…

I couldn’t find my way to its essence.

I mean, the film itself espouses a lot of the “gendered agenda” she’s claiming she had nothing to do with. So blaming the narratives they created themselves is certainly one way to go. But it’s really not hard to pivot when promoting a movie, if they really wanted to. Just look at WB denying stuff pretty hard, in the…

I like how you point out a basic point of accountability on her own part, and are immediately labled. And I’ve got Banks quote that illustrates your point even better:

The 355?

lol. Where you going, Viola?

Good. With public confidence in the courts as low as they are these days, the best thing any Trump-appointed judge can do is... their job.

There are a lot of misunderstood movies out there. Shazam! Fury of the Gods is not one of them.

Ironically, the A.I. Intro was the only part of the show that properly evoked the sense of unease and dread Secret Invasion seemed to be going for. 

Nobody knows what they want and the obsession with finding the “right” way to do this has got this situation tied up in knots.

He wouldn’t have. There was no beating Cuba Gooding Jr. that year, and if someone was gonna do it, it was gonna be Edward Norton in Primal Fear.

I would have been fine with calling this 36 Reasons Why the 90s Were The Best

Same on The Conjuring. I really didn’t think there was anything unique about the first movie that made it stand out from other haunted movies. It’s all pretty standard stuff. The sequel is actually better imo, but I think it’s just a rule that all horror movies become franchises. There are very few standalones.…

I wish I could say something more in depth, but all I can muster is Crimson Peak sucked. Would replace with 1979's The Ammityville Horror.

I’ve been hesitant to call Oppenheimer Nolan’s best movie, but I can’t find enough reasons not to. It truly feels like something stronger than his other works; A career that, let’s be honest, rely often on cinematic gimmicks. I fully agree that he is evolving as a filmmaker, and there’s no better example of that than…

It should be noted, spite also made music better, (one upsmanship in particular) and we are seeing how blah the industry is without it.

I’m gonna have to check out that Smallville episode. Delicious, lol.

I dunno. The bassline of “Another One Bites the Dust” being so good, it breaks up a fight, makes sense to me.