Trick question: It's already wearing a hat! The mouthy-tongue-thing is the actual head, while the 'head' is a detachable protective covering.
Trick question: It's already wearing a hat! The mouthy-tongue-thing is the actual head, while the 'head' is a detachable protective covering.
The Mummy is essentially perfect for what it is (which is a much higher compliment than it sounds) and I think it really does come down to how well cast it was. Fraser throwing that chair is a thing of beauty.
It's like how Star Trek gave everyone communicators and then immediately had to make half the planets have too much "interference" for them to work.
I like how we're getting more and more late-20th century period pieces just so they don't run into the "this plot point isn't a problem if the characters have cell phones" thing.
Maybe someone got a little confused after watching First Blood.
I mean, the basic idea he's trying to get across is pretty reasonable, so maybe there's some implied air quotes we're missing.
MK even has a character called Noob! It's totally brand appropriate!
"On a completely unrelated note, I'd like to now announce the new line of Trump Soylent Green!"
Any fighting game that isn't an exercise in combo memorization is fine with me. This all sounds way more appealing than any of the other recent/upcoming attempts in the genre's current revival.
Webster's Dictionary defines "fighting" as
Oswalt was actually suggesting they make it an anthology movie with each section having different directors/actors, so that way he'd get to be Hellboy too.
Low center of gravity. Physics!
The preferred nomenclature is "swashbuckleperson."
*Begrudgingly remembers to add Atlanta to the way-too-damn-long list of shows to catch up on*
Spazz?
You know at a certain point it just makes you look like you're really behind the times, TV people. Space Jazz is so last decade.
I thought the internet was obsessed with the other ones. Shibu?
Keep fighting the good fight!
"… Tom Cruise Vice."
Come for the meth, stay for the non-conventional meta-critique on the narrative form as it pertains to the American experience in the early years of the 21st century.