I know not all the characters have the trauma or The Fathers to explain their behaviour but in S2 this theme was so obviously hammered into your eyes... and there is the other thing: this is not a realistic series talking about trauma and the characters are not relatable, because they jumped into the Special Episode…

Personally, I wish that Italy in general was as proud of all their pop culture products (these guys were the kings of cinema and music not that long ago!) as they are of their food. 

will it be as overwritten as season 2 where every bad behaviour is explained by a trauma?

Megameh at this episode. The runways were presented in such a hurried manner, the lip sync was so messy (I love Salina doing emotion to something that required spectacular dance, but yet) and the balls looked expensive and boring at the same time. I liked Marcia’s takes but she is also looking so monochromatic.

This happens in the very same comment section here. Is that guy a pro Russian troll or is he sincere in his anger? Does that other guy sincerely think of North American Imperialism as a good thing or is he faking this just to stir some shit because what he wants is to annoy a specific section of people?

of all the Judge Judy material pieces you had lately in here, this is the one I wish it had that treatment.

watch it, but that gag at the end leaves a very sour note in your mouth. The rest is incredible old school farce with the most insane performances. 

advice of looking at people’s comment history before replying just to verify if there are some good faith comments before, and if not, do not engage. In the case of this one it is very clear. 

please guys can you add “... in the US” in the title? 

it’s frustrating because with this format you don’t get time to get to know the queens, time to see the dynamics, time to enjoy the challenges, and the only thing that remains is the narrative of the eliminations and who is the winner, and as you say the winner is very much written on the wall. Sasha is SO above the…

I mean, ok, Jax was not going to go much further given the huge competition, but did she need this kind of riggery to get rid of her? Nope. I don’t think Jax lost any of the lip syncs she was involved with - absolutely love her expressivity and that sudden Jerome Robbins like change from the fast movement to the…

bait

this is my favourite kind of nerd corrections, thank you. 

yeah it is this. It is like the very simplistic model of sim city or cities whatever now is accepted (even with none of them including the concept of induced demand) but this one is looked into the very last detail.

Underneath is one of my favourites. I love to compare it to the book and with the first adaptation, both called Criss Cross. Oh pulpy noir, how underrated it is yet on its country of origin. 

very valid critiques, Trae. This was shit with cool runways and a great lip sync. Cannot wait to avoid the next episode 

yeah if you want series wholesale, like the bargain bin of series. Or if your local library is still open and not totally defunded. 

I disagree with you on some things, agreed on others, but these discussions are so life draining, where one looks for nuance while sees only lack of on the replies (talking about myself, for example) that I am just going to send hugs.

You are lucky. Honestly. Living right now is a sum zero of clothes, kitchen appliances, electronics, etc. 

It does not need to be obscure stuff, just things that are not in the canon: say Robert Altman’s “HEALTH”, Robert Wise “Two People” or in one case I have been looking forever, Jiří Weiss’ last movie, “Marta and I”. Or that Spanish minor hit called “Boom Boom” from Rosa Vergés. Actually if you go through cinema from…