I backed the Kickstarter on the basis of being Cyan and the one pretty picture (with the house in front of the rocks with the floaty things in the sky). I've accidentally seen a few more pictures since then, but otherwise I'm totally blind, just as I discovered the original Myst so long ago.

This seems like suspiciously high quality content for a GJI. Are you sure you don't mean "Black Actors Share Their Disheartening Stories… To the Tune of Popular TV Themes"? Or, "In the Form of 8-Bit Animated Talking Kittens" or something? Dammit, I know there has to be more to it than this! WHY ARE YOU TOYING WITH ME…

Wait, what? I have always assumed that Mr. Ice just sampled it, end of story. I had no idea he actually attempted to deny it's the same riff. That's bananas.

I guess it depends on your measure. 3 was pretty clearly the least competent of the set, but I think 2 was the least ambitous. It's the only one that doesn't really have anything on its mind beyond just being a money-making sequel.

Sidney was the one thing I remember clearly liking about the third one. That she evolved, and it made her both tragic and more heroic.

Ooo, no, agree to disagree I'm afraid. The villain (I'll take your word on his name) was what ultimately killed the movie for me. He did have a great backstory, which would have been the perfect setup for an interesting and tragic villain, but then almost as soon as we meet him it's like someone throws a switch and he…

Up is like two movies bolted together. One is a startlingly brilliant short film, the last 5 minutes of which have been moved to the end. And in between is a startlingly stupid and obnoxious kids movie. It's like someone spilled Cars all over my Toy Story 3.

This is kinda my feeling about Requiem for a Dream. The film has made its point elegantly and efficiently in the first 15ish minutes, and then just continues making it over and over again in continually more blatant terms.

"I'll bee back!"

A coworker of mine is named Dakota. His family comes from Montana, so it must have seemed an exotic land.

I mean, you're not exactly wrong, but there's some weird magic about Con Air. Maybe it's the Springtime For Hitler of action movies; so perfectly terrible it circles back around to pure genius.

Venezuelan beaver cheese?

Maulrats

Does it? I mean you couldn't ask to star in a better animated franchise than Toy Story, and yet despite doing genuinely good work for that franchise, nobody seems terribly interested in reviving Tim Allen's live action career. Including me.

Well technically the world wouldn't have been ended by a demon walking through a door, but by a human who used to be an angel walking through a door and then getting shot by police and then going to heaven when God said he wasn't supposed to.

Atmosphere is probably part of it; being in a good crowd. But also a lot of the jokes aren't the joke, but the "I can't believe they said that!" On rewatch you already know they said that, so it doesn't land.

I don't care for Ferrell in that movie, the whole middle section is weak and his bits bring everything to a screeching halt for me. But the Hollywood finale is so damn brilliant it makes up for it and then some.

Seriously Internet, job well done.

"The Fantastic Four feels like an answer, antidote, and response to Tim Story’s amiably idiotic Fantastic Four movies from about a decade prior in the same way Batman Begins was seemingly conceived as an answer, antidote, and response to Joel Schumacher’s Batman And Robin"

I loved Muppets 3d but they pulled it from Disneyland last year for some Frozen bullshit. :(