He’s great as a second banana. His deadpan is right on for getting laughs amid the chaos.

Feels appropriate that he made his debut with Kevin Bacon, as they are both actors whom, no matter how wonderful they may be and how many affable guys they play-- I will always find creepy and serial killer-y. 

I’m just scared this somehow indicates complicity from Ben Schwartz, which would break my heart.

IANAL, but wouldn’t offering specifics open him up to a libel lawsuit? I don’t know any of these guys from Adam, and I have no interest in the DC Universe, but either this guy has a real beef and balls of steel to put his fledgling career on the line, or he’s got some Terrance Howard delusions of his importance to the…

I also thought Boseman’s performance felt so theater-y that I was dazzled by how well it worked on screen. Usually actors are told to tone that kind of thing down, but he just leaned into it and it worked. 

Maybe it’s because I miss theater so badly, but I kind of loved that they leaned into the “we know this is a play” kind of vibe. Too often I feel like scripts are overworked to try make cinema out of a blackbox. 

Spoil me, daddy.

I imagine Davis will be put forth as Supporting. 

I have to wonder why the script didn’t make it clearer how Ma was eating her own, killing a black man’s dream out of her own ego and spitefulness

I miss Spoiler Space. 

Exactly! I wouldn’t expect Witcher 3 to have something to say about transness, but I would expect it to speak about feudalism, women’s rights, and monarchy (which it does!). But cyber punk, specifically cyberpunk that centers bodies and body mods? Yeah, gender/queerness is pretty central to that theme.

Those motherfucking Heffalumps, that’s what’s missing. 

Those motherfucking Heffalumps, that’s what’s missing. 

I rewatched this once, ending after Season 5 and imagining that Stiles joins Dexter as a rapist-murdering vigilante, happily ever after.
Like most fans, I was driven mad by the slow-motion trainwreck of the subsequent seasons, and I would have liked to have seen the ending the original showrunner wanted. But unlike…

Came here to say this. I thought it was a nice touch to have the wife not only nice but happy. Despite the icy thousand-yard stare from Ennis signaling “villian” from jump, I like that they’re leaning into “doting family man” to help round out his character a tiny bit. 

I admit, I never really understood the critique “shrill” levied at so many women until I heard his voice screaming at me for 47 minutes. And now I get it.
(To each their own-- I’m sure he’s a great guy, but I just can’t handle it...)

“It’s also expertly delivered by a top-notch performer in a scene that’s lit like a Chagall painting somehow tripped and fell into a Raymond Chandler story.”

Damn, Allison. Damn. 

I’m far less interested in what happened to Furiosa before Fury Road (sex slavery and child soliders—- yay?) and more interested in how she would defend the Citadel against an invasion.

Obviously I’ll watch it, and I’ll probably love it, but the concept isn’t as compelling to me as what happens next to battle-haggered…

Here I go bemoaning the loss of a comprehensive Spoiler Space again, as this is a movie I will never watch, but gosh I do like reading all the scary shit.

I’m of the mind she died for both her character and the plot (much like Iron Man), as I said in my original comment. If we’re looking at various arc closures, Iron Man got to be truly selfless, Cap got to retire after paying his dues, and Widow got to fulfill her purpose as a spy trained for mission over everything.…