There's an old Bob Engels or Harley Peyton quote about how they originally intended to reveal in S3 circa 1991 that all dopplegangers existed "a few seconds behind us". Something like this pops up in FWWM obviously, with Cooper and Phillip Jeffries and the FBI surveillance cameras. I wonder if that has some relevance…

Can you fucking not

Dougie is Dale Cooper. That's why it goes down well for me. It's all about his journey back to himself.

Look, he got out of the car by himself, what more do you people want?

It's hateful for him to be both so cute and so evil

I remember. I'm just mentioning the theory.

The latest wild theory is that Candie is "Linda" of the Giant's hints about "Richard and Linda". I doubt it, but who knows!

It's derided by people who don't get it, but it's also a legend. I mean, it is typical Lynch - the long slow dreamy romantic build with super-earnest nostalgia, followed by BOB invading the living room. That sequence is famous. People may say they hate the song but they never forget what it is attached to, and it's…

He wrote it. He loves it.

He's a sweetheart. I was happy to see him too, I'd forgotten he was going to appear.

According to Lynch, yes. And I think with Lynch James always clicks.

It's painful how good this fuckin' show is sometimes.

is it too soon to blame big bang theory for this

Again: This is how she always behaves. She is obsessed with this image construct of her persona and doesn't realize how it reflects back on other elements when she tries to do a puff piece presenting her as Just A Mom.

That's just M. Night Shyamlan.

I see we've come to the redirect portion of your usual trajectory. But I've addressed your point already in my previous posts re: this kind of material and where I think it serves a purpose vs. where it's plainly inappropriate and unacceptable. You disagree. That's fine, that's your prerogative. You have a right to…

I know what Madchen Amick thinks because she's told the world and anyone else who will listen constantly for 25 years, including in the last few days. All you seem to know is what you want people to know about you - that you're this, and they're that. Case in point, the below:

You want to sit here and ask wonderingly how a director going to an actress who works for him and saying she has to kiss him as part of a scene isn't using his power inappropriately.

How did Lynch compel Madchen Amick into sexual situations? How did he abuse her? How is he like Roman Polanski?

We differ on the granuarity of that deconstruction. While I think Lynch is clearly presenting Gordon as an "old school" type in many ways with a weakness for women and wine, there is nothing suggesting these women he's with are sex workers. You wanna take it that way, go ahead.