Depending on the platform, even if devs submit the patch immeidately on day 1, the patches usually won’t make it until at least day 5.

People bemoan crunch, yet the want games to be perfect.

Straight to racism, nice.

To ‘pour one out’ is generally in memory of someone who’s passed. So the title is a way of making fun of the management, not supporting them. The article itself, and Kotaku in general, tend to support the workers.

People like that make me realize that even the writers need to start using “/s” nowadays. Too many readers are too damn stupid.

Um, did we read the same article...?

comments from unlikeable weirdos are always the best.

I am far more sad for your reading comprehension 

there will be no endorsed videogame adaptions of the Mystery Flesh Pit as long as I am alive.

Chill, dawg. Kotaku isn’t afraid to call Sony on their bullshit when Sony does something problematic. (See: Sony refusing to give Kotaku review codes because they don’t like Kotaku’s reporting.) It’s just that in this case, MS published something that Kotaku can comment on.

I think they’re saying that only calling one side bullshit is disingenuous, and I’m inclined to agree.

In summary of the collective internet consciousness:

Hello; mod author here. Those restrictions you mention are only for Playstation. Xbox mods can do just about anything that doesn’t require SKSE (SKyrim Script Extender).

You can tell this article was written by someone that only games on Playstation. Have you even tried to comprehend the hypocrisy that Sony is throwing out there?

The company also points out that the last Elder Scrolls game was released in 2011

Pretty cool - the only thing that’s kind of sad is the sets and camerawork - even as you see them in this short trailer - are just too good for a ‘70s (or even ‘80s) TV show.

oh, it’s the same guys that did the awesome book of boba fett 1985 intro

Holy crap that Whovian/Space 1999 remix of the Andor theme was desperately needed in my life! Also I love the tag in the credits at the end. Brillaint.

That explanation always sounded super bullshit to me. Parker’s original face looks much closer to Lowenthal’s actual look (minus giving him a wider nose) than the new model they got and neither of Mary-Jane Watson’s designs look close in facial structure to Laura Bailey. If they cared about facial capture, they would…

While still disappointing, I don’t find it very surprising that a developer from a country in which 98% of the population share the same ethnicity and culture struggles to grasp the depht and importance of representation issues.