I felt like the ISA was only loosely associated with each other. Allies by chance, rather than a common brotherhood.

A lot of the ISA struck me as “hey, in New Amerika, I’ll be an oligarch with whatever I want because I’m friends with the new dictator.” At some point I have to assume, at least in show, the Injustice Society’s etymology (assuming they care about the ISA) was about fighting injustice.

They’ve shown from day one that while she’s an awful person, Cindy is also quite miserable too.

Any attempt at “wacky gross out humor” which has been SR’s modus operandi in the past would be met with calls for a boycott by Twitter keyboard warriors and progressive blogs across the media landscape.  Why take the chance somebody will feign outrage for viral exposure?

I think everyone has to go a little “bigger” when doing animation; thereby making the voices sound a tad different.

False because it’s not really splintered or shattered realities. It’s just one different one. Which is fine ultimately but not what What If was in the comics. The more I think about it and get over the (very mild) sense of betrayal the more I like the idea of more than one Captain Carter story.

I don’t get it. What If stories are supposed to be one offs. If all of these are tied into one another in one alternate universe then the Watcher’s opening speech is false and, of course, it’s contrary to alternate reality theories, real-time physics or not.  I'm a Marvel fan-boy so I'll watch it but I'll like it a…

It was great hearing Chadwick again. It was fun but it just seems like replacing Peter Quill with someone else who just happens to be a hero is kind of an odd choice for a story to tell.

The stories about her clashes with MacLaine during filming Terms of Endearment (in which they are both incredible) are legendary. Which, fine, some people just rub each other the wrong way. But these same dynamics come up over and over with Winger.

The fact that there was an established actress in her 60s, whose physique, facial features, and mannerisms were all an uncanny match for someone as recognizable as Geena Davis is absolutely wild.

Even though I saw a different name in the credits, I refused—nay, I STILL REFUSE—to believe that older Dottie was NOT Geena Davis in old person makeup.

she was already known as a terrible actor

It’s probably Madonna’s best screen performance, precisely because she’s a relatively minor role of the ensemble and she really did seem to reign it in to work within the group.  

I thought I’d heard that Winger was largely out of work for a long time not because she reached a certain age but because she’s a jerk. This kind of sounds like that. Maybe this call was the impetus.

Buy my BOOK! BUY my BOOK! BUY my BOOK!

Wow, this seems extremely...petty.  Madonna had a tiny role.  Who gives a shit? 

Whenever John Lovitz not on screen, all the other characters should be asking, “Where’s John Lovitz?”

Sometimes I wonder if we’re watching the same series. Certainly not a perfect episode of television, but I’d say it’s above the series’ batting average. So many reviews of AHS stuff gets bogged down in “why isn’t the show doing exactly what I want it to do?” when it’s really more about getting whisked along to…

That’s only part of the problem. The other part is that it’s been at least nine hours since we were able to stroke our outrage boners and we need release.

‘And, last but not least, can we talk about the fact that this man claims there are pot farms in the national parks, but those pot farms are home to dangerous cartels who kidnap people and sell them into human trafficking. It’s just… a very dated concept about weed of all things. Like, this is some Weeds era nonsense.’