I’m kinda worried this is setting up Ava to die in the finale and be replaced by Ava #13.

Maybe they’ll lean into the Chernabog comparison and defeat Mallus by singing “Ave Maria”.

Damien was reminding me of the Buffy the Vampire Slayer episode where Spike goes, “This is the crack team that foils my every plan? I am DEEPLY shamed.”

They showed some footage from The Wizard of Oz in last season’s finale.

I’d toss a can of paint at it. We see that it has a physical presence, and when a sheet is thrown on top of it, everyone can see the sheet seemingly just hanging in mid-air. Cover it with paint, and you can prove to everyone that this supernatural being really exists, and get police or the army or what-have-you to…

Imagine making “Enter the Dragon” if you didn’t have the budget to hire any actual martial artists or professional stuntmen, and had to rely on random, untrained people doing unconvincing shadow boxing. What would even be the point of it?

We don’t know when Amaya is supposed to meet the future father of her children. If it’s not meant to happen for another four or five years, then her dating another guy now doesn’t necessarily alter that.

It’s not necessarily your fault if you don’t have much of a budget for your movie. It IS your fault if you know you don’t have much of a budget, but go ahead trying to make a movie that requires a massive budget.

This sounds neat. I don’t have much more to say besides that.

Though, when Universal made their Sherlock Holmes movies, the character wasn’t all that old. Most literature, if adapted into a movie a few decades later, will update the setting for modern times. It’s only when the source material gets to be around a century old that it becomes really notable.

Ray is not a fluffy bunny. He’s a cheerful gnome.

I kinda worry this show may be coming at the wrong time. I don’t know how receptive people are going to be right now about a show where a bunch of misled or lying people come forward to accuse an innocent person of sexual assault.

Who is the target audience for this? Anyone old enough to remember Clarissa Explains It All is presumably well outside Nickelodeon’s target age demographic.

Oliver mentors people the same way he was mentored: lots of beatings, and no options but succeed or die.

His powers do make doing any sort of “how do we get in there and get thing thing” plots trivially easy. Though, with those time/space portals the Time Bureau has, that can of worms was already opened.

I doubt anyone noticed them kissing; all eyes were probably on the guy banishing ghosts with his magic guitar.

Technically, the show only definitively stated that rock ‘n’ roll would die if the town of Memphis was destroyed. Nate later tries to argue that Elvis’s big break is equally important, but we don’t actually have Gideon confirm that like we do with Memphis’s importance, and Nate is a big enough Elvis fan that he’s…

Some clarification on the definition of “diverse” would be helpful here, ‘cause I wouldn’t have thought it would include women, but I can see how it could.

What’s really great is that it works because taking his hostage to a concert with him is something you’d believe Damien Darhk really would do.

Even if that consequence is “release a primordial demon from his extradimensional prison”?