Whatever you “disagree” about with trans people is almost certainly that children shouldn’t be able to access life saving healthcare or that trans women are dangerous in women's bathrooms. 

How do you “disagree” with the existence of a person?

Also it’s a fucking lie?  Were “we” taking care of our neighbors when you were burning crosses?  Are you taking care of your neighbors when you vote for bills that take away their rights or when your shit-ass bakery refuses to make a cake for their “neighbor’s” gay wedding? Fuck off, Jason Aldean.  

Lol why not just sing a song called “sun-down town” and be done with it? 

Yes, but it’s Aerosmith. I’d go see a bread commercial if it played Aerosmith.
That aside, if you look at the lyrics, I don’t think there is a better song for this movie. 

there are Black stunt men and stunt women of all races. it’s not that hard to find someone who vaguely matches your primary actor

Your reminder that a lot of wealthy executives get wealthy by stealing from the laborers. This has been a tale as old as time, especially in US history. What’s next, using black people as strike breakers?

That’s nonsense. “The share of funds available to pay actors” is whatever the studios want it to be. RDJ made lots of money on Marvel movies. The movies he was in made immense amounts more that went to the studios and their shareholders. Management is the problem, not higher paid labor.

Sports leagues do it all the time. People know and love the players. They generally dislike the owners. Yet a substantial portion of the population sides with the owners in work stoppages because the players “get to play a game for a living” and some of them are millionaires.  Ignoring that most of the owners get to…

AMPTP maintained that only principal actors deserve to be treated with this kind of dignity and said that it wouldn’t agree to enforcement.

No, I seriously love that movie. The premise (“They’re after our water!”) us bullshit, and overused bullshit at that, but it’s what I think an actual invasion would look like, at least from the perspective of our response to it. You could drop this movie in Kandahar and it would translate well. Much better than that…

I too raised an eyebrow at reading the headline before the article laid out its case. Another pass from the editor would’ve helped.

It’s wild to me how cartoonishly evil the studios are coming off here. They truly don’t care about how they come off and are presumably assuming that the general public either doesn’t care or will quickly forget. But man, what assholes.

We’ll see where it goes, but I tend to agree. The unions are winning the messaging war handily at the moment and the studios are overextended financially with debt, anemic box office numbers, and unprofitable streaming platforms.

“The deal that SAG-AFTRA walked away from on July 12 is worth more than $1 billion in wage increases, pension, and health contributions and residual increases”

SAG-AFTRA’s Rejected Contract Demands Seem Beyond Reasonable

It’s wild to me that the Executives decided to pick a fight with people who are literal household names, who are popular and well liked with the general public and who are incredibly skilled at presenting speeches and performances that are designed to get emotional responses from audiences.

Nostalgic music played slower with LOUD BANGING DRUMS!!! -every trailer since 2020

I liked Rogue One and the trailers for this movie are quite visually appealing, but the story that’s been revealed so far sounds incredibly trite.

Wait wait wait...the superweapon is...a child? That can’t be right, are we sure it isn’t like some massive laser or bomb or something??