If you’ve seen a Busby Berkley musical then you know the big dance break has it’s own overblown-movie-musical logic.

Lol, you think there is a global pedophile conspiracy and that JFK Jr is still alive.

A movie so good, they have to give tickets away for people to see it.  

Voller’s plane finds the tear in time he believed the Dial was directing him to; his aim is to return to Germany before World War II, kill Hitler, and assume command of the Nazi army. However, Indy mentions that Archimedes didn’t account for continental drift and that Voller’s calculations are off. They aren’t going…

I was coming here to say that - how do you not even MENTION The Blues Brothers???

I was under the impression that the entire run of Next Generation was essentially a secret trial.

Devils Due: An incredibly goofy episode that feels ripped right out of original Trek despite being in TNG’s fourth season

Niagra Falls!? Slowly I turned . . .

Look, Rabbi Weisenberg may have depth perception problems but he’s still a good man and a pillar of his community.

I like the version of “Raiders March” that plays in the end credits for this one. I can’t quite put the reason why into words, but it has a sonic quality I really dig. It’s one that was never really repeated in the franchise.

Because individual creative works like these (films, albums, etc) are sold over and over in perpetuity. Friends or the John Wick films continue to generate income for decades. Why would the creators who are integral to the core product not be compensated for those sales, but the studios would?

Do the distributors make money in perpetuity off products someone else created? Yes? Then why shouldn’t the creators?

It was absolutely ridiculous of them to ever think they could’ve kept pumping out Star Wars movies at the same breakneck pace they do for Marvel films. As a result Star Wars wound up falling into the same hole that swallowed up so many would be “Cinematic Universes” in the late 2010s and for largely the same…

this article is in support of the workers, written by a union writer, published at a union shop.

Reboot is now RIP, but was much better than I expected, and a clever satire to boot.

or "The 59th Street Bridge Song (Feelin' Groovy)" unless that's too obvious.

How about really pretentious parentheses, like "A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)" by Simon & Garfunkel

No "Sweet Dreams (Are Made of This)"? One of my favorite songs ever.

For an R.E.M. pick, I was sure they'd pick It's The End Of The World As We Know It (And I Feel Fine), but maybe they were trying to be less obvious?

A few favorites: