"tried to invalidate Marvin Gaye's original copyright on 'Got to Give it Up'."
posthipsterpope
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FLYLO @flyinglotus
I think both are self-aware; just where Kendrick filters his artistic output through the internal, Kanye pushes outward and demands we confront our own relationships with race, celebrity, etc.
It's tomato/potato all over again!
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John Cage's estate sues every artist for the music before and after each song.
Legally speaking, this is a crock. Why juries in civil trials are basically a terrible thing.
Pothead efficiency is a beautiful thing.
np;dr
cool story, bro
Wait, "that sick beat" as a trademark is exactly the same as "I'm loving it" or "good to the last drop"; only used for selling T-Swift instead of hamburgers or coffee.
Swift didn't copyright "That sick beat"; she filed for a trademark.
Completely different.
That map only represents that Bostonians escape Boston at the first opportunity.
What is this Social Network of which you speak? And where can I join?
Yeah, I'm not really sure what Modell is trying to say is the "crock" of the film. I think it's clear enough that Banksy is playing with our conceptions of art during the second half of the film, but that's done through the examination of Guetta's LA show and the hype that builds around it.
"With all of its Kanye West parallels—producer Arca, the short-notice
release, the singular artistic voice—it’s tempting to call Björk’s ninth
album Bjeezus."
I really want you to look up sources and share them here. I also really want you to re-read the initial comment and consider that you may not understand what "percentage rate" means.
you're right, he "was" a racist psychopath
Ugh. I hate this argument. It ignores the plain fact that almost everything is simply an amalgamation of prior styles. The question isn't whether a sound is wholly "new" but whether the influences are transformed into something distinct. It's the difference between Death Grips and Kanye. I can't speak to Animal…