Admittedly the image of a lone citizen blocking a full column of these would be much less photogenic.

Still more excited to the Fiat 500 in action TBH.

I could have gone literally my entire life without ever hearing about this.

Book 4's done a really spectacular job managing it's ever-widening menagerie of characters this season. It's brilliant when done well but can go painfully wrong so easily (Battlestar Galactica).

All hail our Giant Snake Messiahs.

Take a mountain road U-turn at the wrong angle and that's pretty much what will happen.

I feel like you can almost hear the inner monologue of the driver of the truck it's filmed from.

Wait, is that actually somebody's natural voice?

This confirms the niggling fear I've had about Suzuka for a while, it's a great track but it's in dire need of modernization. A much larger gravel trap, taking into account the speed and momentum of modern F1 machines, would almost certainly have saved Bianchi from colliding with the tractor at such disastrous speed.

Maybe Pastor Maldonaldo was in the area getting his eye in before the Soichi GP?

I genuinely can't imagine what anyone could add positively to the original. It's so uniquely disturbing and characterful the best you can hope for with a remake is either a pale imitation or a show with very little in common beyond the name.

Tom Nook wants his goddamn money.

I'm inclined to be believe all of this because this is what JJ Abrams' stories all look like to me, bits and pieces of everything that's come before whisked in a blender and poured straight back out. Dude needs to read outside his genre. Hell, even his franchise.

However she is a strong sensual woman.

People just don't watch TV in the same way they did five years ago. It's all catch-up, smart options, pick-your-own packages, streaming services and download content (legal and otherwise). If you're relying on the old fashioned broadcast viewing figures for traditional pay-TV packages you're already being left behind.

I for one welcome this strangely coincidental trend of random mishaps happening to oddly annoying selfie takers (selfiers? selifinauts?).

How on earth did Mitchell & Webb manage to predict this?

$50mil isn't tragic, especially for a largely British-led art house history movie. It made good money.

R Kelly has always been baffling to me in a distant sort of way and the only thing that washes it away is this Swede Mason remix, whose work is never less than bafflingly ripping itself.

My personal favourite is simply "sex agent lesbian" which sounds like it should have the greatest 70's pulp-book cover in the world.