Except Olivia Wilde has talent.

Perry is a multi-millionaire based solely on his ability to make the same alarmed face whenever a pretty woman says something in his presence.

“You stuck by him through his addiction and (we promise) getting sober! Let’s see if you stick by him through the publicity campaign for his book!”

The Friends star generously says that Hayek’s “long-winded ideas weren’t always helpful,”

No mention of how Harper is absolutely ripped in real life? The guy’s been training for this role for years.

More broadly, it’s the fate of every niche cable channel.

“Hey, I bet a channel devoted to cooking/science fiction/travel/24-hour news/animals/science/horror would be a big hit! Lots of people like that!”

“OK, this has been a modest hit. But you know what would be an even bigger hit, and return more shareholder value?…

After the attacker, Isaiah Lee, was apprehended, the LAPD confirmed he had been in possession of a weapon that could “eject a knife.”

Later in the interview, Crow also describes Woodstock ’99 as a “highlight” of her career. It’s an odd sentiment for an undeniably unsavory experience, but hey— sometimes even the most literally shitty memories gain a rosy glow over time.

I have it on good authority that Alex Winters has three or four different Kinja burner accounts he uses on different devices, since he can’t remember any of the damned passwords.

Maybe we all know Keanu except for you, Perry.

Could this be any more inappropriate?

Perry’s heart must have read the script.

Which is weird, given The Simpsons has already done a Westworld thing, one that lasted an entire episode and is one of the series’ all-time greats, but I guess 1994 was long enough ago (and the modern HBO series so different) that they feel like they can do it all over again and newer viewers won’t even notice.

They never hang up their spurs because of their kids.

You know what, despite the popular opinion I don’t think this is going to end well. Gunn is a great director but he’s a great director at making one type of film in one extremely specific way, namely a cocky self-aware film that is rather light if gory.

Milkshake Emu

While Lucas made a lot of bad choices with the prequels, his decision to make the Old Republic into an art deco/Flash Gordon-styled era was a great one.

The majority of Alan Moore’s US comic book writing has been using other people’s characters, often in ways the creators would not have liked.

The “original” characters in Watchmen were only there because DC slapped his hand when he tried to wreck the Charlton characters they’d bought five minutes earlier.

Still, we’re not sure why they needed a whole room of people to decide that “Yaddle goes on holiday” should be a movie, but ok.

Except that not everyone does it.

And Weinstein didn’t do it because he had no choice.

He’s a 70-year-old bridge troll capable of making his own choices.

And he chose to rape and sexually assault dozens, maybe hundreds, of women.

a heartbreaking confessional gift wrapped with confetti

Leaving aside that the Lost finale was 12 years ago, and Lindeloff has 14 writing credits since then, at the very least, this should mean that his Star Wars film will be interesting.

Which, let’s be honest, is something the franchise is largely having a problem with since The Last Jedi and the first season or two of…