A. I hate all of the interconnectedness that’s become a staple of MCU. (At least both Doom Patrol and Peacemaker have pretty much kept other properties to the outside, and the CW series were pretty much only in amongst themselves.)

The CGI still has me a teensy bit worried, but the show itself looks pretty fun with this trailer.

Booksmart was one of the greatest films of the past 15years and ain’t nobody gonna take that classic and iconic piece of work away from her. She’s still golden to me. Fuck those producers

It’s not her first Broadway show, though. She held her own and got very good reviews against Bette Midler, so it’s not like the producers thew this out of left field. Casting for roles is complex, though. Actors can be great but not right for THIS role and too many producers don’t understand that.

I find that a voice’s power is less about what notes it can hit and more about the emotions it carries

When I first heard Beanie was taking this role I thought it was for a movie version which I think would have been much better use of her where her voice could have been improve in post and she could use subtler acting. Broadway musicals take a very specific set of skills, it requires overacting but also not coming…

Also over-policing communities of color and blocking attempts to legalize drugs like marijuana, to feed bodies into the prison-industrial economy of legalized slavery that has persisted since the 19th century.

Again and again, this is partly religious and partly economic. Before women poured into the workforce in the late 60s/early 70s, your average white man had an unpaid indentured servant who performed cooking, housework and childcare in exchange for free room and board, leaving Daddy free to smoke and work. This was…

I love how you can frequently identify racists by how much older they look than their ages would suggest. The man in that tweet looks at LEAST early/mid-30s, not 26.

‘It Follows’ fucked me up for a few solid weeks.

That was my assessment; Get Out was an incredibly tight film. Every piece of it was there for a reason. Not a frame of film was wasted.

Us was more sprawling and nebulous. The symbolism and metaphors were tied to things that had no single origin or easy answers. But oddly, that made the horrific imagery more effective…

My take is that the less-insane members of the GOP are starting to realize that the blowback from Dobbs is threatening their chances of taking the Senate and possibly the House. Gay marriage doesn’t inspire the same passion from the right that abortion does, and the primary season is over so they’re not worried about…

Get Out is more cohesive, but I enjoyed Us more for its stoner logic - it’s like a bad dream. 

As someone who liked how odd and messy Us was, I fully embrace Jordan Peele’s stranger, messier impulses.

Yeah, the whole “it’s just like having an expensive cable package again!” meme is so fucking stupid and incorrect and I’m so tired of hearing it.

This is what continually gets me - we are told that ONLY cops are able to perform tasks with a degree of danger involved, but then when they refuse to do the thing they are literally trained (and armed) to do, we are reminded that said situations are dangerous.

These departments have oodles of funding and ample…

Sigh.

“They were making the best decision they had based on the information at the time,” San Diego Police Homicide Lieutenant Steven Shebloski told NBC 7.

Apparently, the description of the man given by neighbors matched the description of the man who police thought lived at the home.

Whoa, it’s almost like runway fashion isn’t meant for everyday use?!?