Yeah, I know. It's just that most of these "honest" trailers, like the one for the Mario Kart franchise, forego the balanced approach, and just seem to head in the inverse direction, accentuating the negative to the exclusion of the positive, and making enjoyment of the game seem strange and nigh-unjustifiable.

But seriously, this is April Fools, right?

This "April Fools" thing has really taken on a life of its own here on the net, has't it?

I dunno. Not being able to trust anyone is exhausting.

This is definitely the state he'd be in after the end of the first movie.

Well, you know Spielberg. He's the Spielberg of Spielberg.

I guess it just doesn't work for everybody, Scoobert.

I was talking about the early '80s ones. I only vaguely remember Tom and Jerry Kids. They were making everyone kids back then.

There was some good stuff coming out in the 80's, depending on your tastes. I love DuckTales, and the grandeur of Adventures of the Galaxy Rangers and Ulysses 31, but as for straight comedy, I don't know. Just haven't looked. And you really had to look for these things to find them.

I'm moving onto Filmation now. May God have mercy on my soul.

You betcha!

Somebody call in Sherlock Holmes!

This reminds me...due to unusual circumstances, I actually wound up watching the entire series over a three-year period. It was fun. There are only two that I haven't finished, and I've been looking for them ever since. "Mouse in Manhattan" is one of my favorites.

"Netizen's Burden." That one's definitely going into the vocabulary banks.

How come "honest" trailers, commercials, boxes, reviews, etc. always tend to accentuate the negative? To the point that they often end up making the work in question seem much worse than it is. A given book, movie, series, or video game can have honest strengths, right? I'd hate to see an "honest commercial" for Super…

What happens when you mix a classic fairytale premise with World War II-style airplanes in a fantasy world setting? You get The Princess and the Pilot: a beautiful film of aerial adventure and tragic love.

Perhaps Befitzero should invest in a bicycle.

Molyneux, who is 54, has the lanky frame of someone half his age. He has big ears and a giddy-yet-serene smile, resembling a kindly schoolteacher, or a reformed Bond villain. If someone turned his life into a biopic, he'd be played by Ben Kingsley. He talks in slow, deliberate sentences, his enthusiasm only muted by…

We're talking about promises. Molyneux, who has helped design a string of hits including Fable, Dungeon Keeper, and Populous, is a fascinating paradox, known both for his formidable creative accomplishments and his tendency to make big, lofty claims that never quite deliver. Through 20 years as the face of three…

Yes! It'll multiply like a viru...wait, um, no. Bad analogy.