Hitchcock is never boring. Wes Anderson isn’t boring. Terry Gilliam isn’t boring. David Cronenberg isn’t boring. 

It’s like a second job. And the stupid thing is my life wouldn’t change one iota if I watched The Haunting of Hill House or not.

Increasing production demands is hurting everyone in the industry (I’m in post). Not just demands for “bigger, better, faster” stunts, but just demands for more work in less time than usual (and of course, with less money too). Because networks and studios are aware of how much power they have over content creators,…

You seem pretty boring as it happens. 

The ugly truth is that the vast majority of people live by the “league” guidelines. That is why humans so easily devolve into scumbags and/or enablers.

...which is literally every channel? The point of tropes is that they’re in everything (except my dinner with Andre). Unless you mean because they’re intentionally subverting the tropes?

For work once I had to call his house to talk to his son Michael. I am still delighted by him being the one whom answered leading to him shouting “Michael!” with his hand half-way covering the receiver.

That ostensibly edible arrangement appears to be like ninety percent honeydew.

Also: Nate hasn’t gone metal in so long I was beginning to think I’d missed a scene where he lost his power.

This would be a good intro for Shudder too:

Hot take: both cats and dogs are sweeties and neither is better than the other.

I forgot this was the internet so every time I write anything ever I should front-load my comment with seven apologetic paragraphs contextualizing my point of view so that people who wanted to lazily do a bad faith reading of what I had to say would have to work a little at it. Let’s pretend I already did the…

Fuck AT&T. Fuck mergers. That’s all there is to be said.

I’m pretty sure they want something like this:

It’s such a bleak and grueling drama that the shift to supernatural horror is a relief, not an escalation.

Regular-Sized Rudy’s costume being Paul Rudd from I Love You, Man was too perfect. Gotta love when this show gets super obscure with its pop culture references.

Did ya notice how everytime a regular person brandished a firearm in the movie, the combination of the actor’s body language and the direction gave off the squirmy impression that friendly fire was about to occur?

From my understanding WinAmp still whips the Llama’s ass.

Fuck, you’re really bad at media analysis aren’t you?

You know Megan Ganz wrote this episode, right?