You think the second verse is bad, the third one is Key saying “Man, those slaves that ran away to the British and fought for the wrong side, trying to be free? We sure killed THEM good! I enjoyed seeing them run in terror and/or die!“.

Really, the only thing that makes me raise an eyebrow is that, if the allegations are true, they waited a year and a half until the film’s release to file a lawsuit. Everything else is, sans the evidence, he said/corporation said, and I tend to not side with a corporation on anything.

It’s not worth bragging about, but again, you’re the one that made the assertion that comics are only for little boys, not me, and it’s clear, by the numbers and by the reviews, that it isn’t. Looks like everyone likes shit. It’s smug cultural gatekeeping over particular piles of it that tends to keep people out of…

I think focusing *more* on a female demographic has absolutely affected sales and streaming numbers. Just in a far more positive direction than you seem willing to believe. And I know the WNBA is not as popular as the NBA. I just think the fact that more folks watch the latter than the former has not a lot to do with…

Or it fell off with the end of a full story arc and it’s clear they had no plans beyond that and are floundering just as bad as DC or the Sony Marvel stuff, each of whom also has no clear plans aside from “UNIVERSE”.

Pretending catering to vaginas is making things worse when it’s already shit is convenient rationalizati…

The point is that Hathaway was presuming high fashion to be more esoteric (and thus dismissable) than it actually is. So, yes, it could have been any color, and yes, that was the point.

Yeah, I think it can at least be argued (though not definitively) that both Loki and Better Call Saul are *better* than the things they spun off from.

How many times must men announce that “women aren’t supposed to be here” in a particular space, until they realize that they’re the only reason women aren't there?

1 is the most degrading of the series. It is literally wearying how much rape is in it, *and that’s by the hero of the movie*. The later “films”, though absolutely worse from a technical level, at least seem to employ people who know they’re making terrible films, and have fun with the concept instead of being a dimly…

Deathstalker 2 being tongue in cheek is an understatement. After a short pre-credits scene, it literally starts with one of the villains yelling at her minions:

We got both kinds of music: country, AND that sweet Laurel Canyon sound!

Probably The Rock. Maybe RDJr. Will Smith pre-slap (though maybe even still).

Red Letter Media’s short review of it is pretty good. They are completely horrified the entire time they’re watching it, lol.

After 65 million years, he returns!

Shout out, of course, to Collateral, partially about whether passively observing other people’s lives makes you complicit in them, even as you distance yourself from your own. Or, at the very least, that’s what Cruise’s Vincent projects onto Foxx’s Max to get his way.

It’s *extremely* akin to any video thumbnail or comment that “explains” why Walter White is a badass. Not that Costner’s performance matches Cranston’s (and to be fair, not many would), but you’re definitely supposed to understand he’s at BEST a bad person.

“all mugging like crazy to try to convince you how much fun they’re having”

Hehe, I was looking for this. Prost! *belch, pulls own plug*

Or, bizarrely, actually talking to us.