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Boba was the least interesting and least effective one.

There’s a face only a mother, who is also your first cousin, could love.

I was legitimately surprised that Eva Rebuild ended so well. I was tentative after 3.0 changed so much, and I honestly expected things to be similar, but nope, the movie was extremely well done and gave an actual, definitive conclusion. I also genuinely love that Amazon got back more of the original voice cast, though

Now playing

In Japan, it originally aired on cable, which few Japanese people had, and about half the episodes never aired due to content concerns. However, it did become a cult classic, which is why Watanabe was able to get the movie done as well as go on to do stuff like Samurai Champloo and Space Dandy.

Tbh, I can’t say I ever felt like there was much substance in the game.

sounds totally reasonable to me, i almost forgot to breathe this morning and people are always reminding pregnant women to breathe on the TV

Now you’re makin’ me wanna check it out.

Hopefully it doesn’t have the main character saying “Awesomesauce!” like in that godawful remake.

They missed a trick, should have done a Hyaku Shiki or Akatsuki Gundam as one of the series :P

Remember when Raven used to make their own games before becoming a CoD support studio? Pepperidge Farm remembers. Heretic, Hexen, X-men Legends, Marvel Ultimate Alliance, that weird Wolfenstein, and some legit Star Wars games.

I remember that being featured here on Kotaku. Awesome commercial.

I been watching a lot of undertale these last days thanks of the Hololive girls playing it. Heck, right now i am watching Luna playing it.

Fitting match. Netflix has trouble making third seasons too.

*looks at current state of the game*

Subnautica:2021 confirmed for switch!

For most games that aren’t narrative driven I tend to mute them and listen to music/podcasts instead of the game audio, but Hades and Doom Eternal were obvious highlights. Ghostrunner was another big one, and it introduced me to Daniel Deluxe, so that’s a big plus. Gareth Coker’s Ori and the Will of the Wisps score is

My biggest disappointment in a year of big disappointments was... the few hours when we thought we could legally get Devotion until CD Projekt pulled a self-censorship.