I love the original movie and like the J. Michael Straczynski era of the cartoon, but the sexist fanboys' "reasons" for hating this not yet released movie make no f—-ing sense.

And combine it with a Shark Attack 3: Megalodon-esque sexual come-on. "I'm bigger on the inside!"

He needs to go back to Doctor Who and help The Eleventh Doctor, Rory, The Paternoster Gang and Lorna rescue Amy and her baby at Demon's Run. F—-ing Miracle Day. *shakes fist impotently*

I normally can't stand Roberts or Panetierre, but they were legitimately great in Scream 4. Especially Panetierre.

I think both Hannibal and Pushing Daisies have shown that Fuller is a very versatile showrunner. It'll be fine, if not to everyone's tastes.

—Ian McShane

When former Trek writer D.C. Fontana made The Animated Series and wrote the acclaimed episode Yesteryear Roddenberry declared it non-canon.

I'll give them Year of Hell and Timeless, but damn was that show awful. Even Enterprise had its pilot, the Season 2 finale and the majority of Seasons 3-4 (we don't speak of These Are the Voyages). It's the fourth best Trek show, but at least it was pretty decent in the later years. Voyager was just a waste of…

DS9 and the Meyer/Nimoy films (II-IV and VI) are freakin' amazing. I like my Trek serialized, character-driven and taking ambitious risks with the world and characters. Fuller's show looks right up my alley.

The Clone Wars was five seasons plus the "Lost Missions", which is basically a shortened sixth season. The name was just for marketing purposes when the episodes debuted exclusively on Netflix.

The only times that I can think of a non-professional writer/fan writing for a TV series actually going well are Ronald D. Moore on Star Trek: TNG/DS9, Drew Goddard on Buffy/Angel and the dude that wrote The Trouble with Tribbles.

A fun, light romp for most of its running time, with the last ten minutes being a heartfelt optimistic tearjerker. It's a lovely epilogue to the Moffat era*, although not nearly as good as the prologue (Silence in the Library/Forest of the Dead).

It's an honorary degree. Like Bill Cosby, but without all the rapey bits.

It could always be worse. At least they did't give us Billy Ray Cyrus in a Wagons East! series.

The awesomeness of John Candy aside, saying the new Uncle Buck ruined the old Uncle Buck is like saying Spaceballs: The Animated Series ruined Spaceballs. No, Spaceballs ruined Spaceballs. The animated series is just something else that also sucked.

Yeah, the movie's crap, but he's great in it. The thing that made Candy such a great talent wasn't the fact that he was funny. A lot of people are funny. It's the fact that he radiated a ton of seemingly genuine warmth. I've always felt that if he was ever cast in a Gilmore Girls/Parenthood-quality dramedy he would…

Media tie-is, even legitimately great ones, are always a niche thing anyway. A small percentage of a (sometimes) already "cult" following actually partake in them. I've seen tie-in writers themselves estimate that their audience is only roughly 2% of any given fanbase.

I highly recommend the stuff by Christos Gage (Angel & Faith: Season 9 and Buffy: Season 10). His books and Whedon's original Fray miniseries are the only Buffy/Angel comics worth a damn, in my opinion. Everything else is either semi-passable fan fiction or complete and utter garbage.

Christos Gage has been doing an amazing job making the comics legitimately great. You should check out the reviews over at ComicBookRoundup (the RottenTomatoes for comics).

Of the Buffy/Angel comics the only truly great stuff is BKV's arc, Whedon's original Fray miniseries and the amazing work by Christos Gage (Angel & Faith: Season 9 and Buffy: Season 10).