I don't think you need to worry about Solange's taste level just because she sang a song with Incubus live once (or, really, at all).

It's pretty clear about its subject matter in seasons 2 and 3.

Both the new Saint Etienne and Goldfrapp albums offer a lot for someone who has enjoyed their previous releases. The Goldfrapp album in particular plays like an alternate-universe greatest-hits collection.

Mental Illness is great and it sucks that no one paid any attention to it because it's her like, seventh in a row with Tasteful album art and songs about depression. I like how completely de-fanged the musical arrangements are in contrast to her lyrics, which are sharper than ever.

Sean T. Collins is one of the absolute worst writers working today; that he is cynical about Green Light is a very reliable indicator of its quality.

The AR nom-nom game is the startup Kimmy goes to work at!

"There is no Cindy Sherman" is possibly my favorite joke of the entire season.

"Would you like to donate a dollar to help Dartmouth students learn to read?"

I found the Hasan Minhaj special to be dreadful, and the camera work unusually bad (I don't typically notice these things, either). He has the right politics, but I found his stories about his family to be weirdly lacking in both depth and in compassion. Maybe it's a function of his age, but it seems like it might…

I think Adam Campbell has made a lot out of a role that, on paper, is a bit thin. I'm actually sort of glad they leaned into the Greg/Katie romance and I hope they explore it further in season 2.

I thought that was a joke about how we (and Russ) can safely assume the Snyder kids are about as far-/alt-right as it gets.

Honestly, the campus culture stuff this season perplexed me because it seemed to be presented with equal amounts of compassion and contempt. I realize that those two feelings can and do probably coexist in real life, but seeing them expressed simultaneously onscreen was disorienting.

I like this (and I also like looking at Adam Campbell) but I can see why it's not landing, since it's much lighter and gentler than 30 Rock/Unbreakable Kimmy Schmidt, and I think a lot of the appeal of this style is the opportunity for truly acrid humor. I think it could be great if given the opportunity to get there.

I want to do sex with Cole Sprouse a lot.

I loved 8 on the Wii U so this was a day-one-at-midnight purchase for me. Worth it, and worth the premium I paid over the cartridge for the digital version. It's incredible to be able to switch over to Mario Kart, get online, and play a game or two nearly instantaneously. And the little technical changes between games…

Laurence Fishburne is so great. He had at least three perfect line deliveries this episode.

In the book, his crime is fictional and he is actually a member of the resistance. Ofglen gets to him first and kills him quickly, to be merciful.

Alexis Bledel is truly stunning in episode 3 and she doesn't have a single line of dialogue. I can't say enough about how tough it was to watch her in that episode.

Jughead crying and bleeding was very sexual for me.

Yeah, the scenes at the school are packed with clues that it's a huge joke of a liberal arts college. Their hiring Hannah is perfectly plausible within the bounds of that world. I think even Hannah understands that the offer is a fluke and unlikely to happen again, which is why it's so much of a foregone conclusion…