Oh, FSM. I’m just surprised he didn’t cite The Alchemist or Kahlil Gibran as well—then he’d have the full trifecta. (Finn was a decent read, though.)

Visually, it’s nowhere near as interesting either. Setting it in the dilapidated, gothic, swampy Lousiana gave the first season a dread inducing visual texture that LA just can’t create. I do like the oppressive industrial architecture in Vinci, but the cinematography just doesn’t do anything to complement it. And…

SPOILER ALERT: The log grows up to become Groot 25 years later.

Beatrix Kiddo, a.k.a. The Bride a.k.a The Black Mamba

Because you can't spell Science Fiction without deadly neurotoxin.

I'm taking the easy answer. 2001: A Space Odyssey.

Primer.

Son. But Ace though. Ace.

That's a tough one but I'm going with Guillermo del Toro. From his early films Cronos and Mimic through Hellboy and Pan's Labyrinth (my favorite) to his recent big budget Pacific Rim, he's show a lot of versatility with an underlying focus on wonderful visuals.

still want that bike

Every time i get a new favourite character... EVERY DAMN TIME!

Someone must work for Dreamworks.

People wont worry about it until the middle classes actually go without food. Then right on queue, out will come the plans for some kind of revolutionary wealth equalisation mechanism.

But it was such incredibly delicious confection! I was mesmerized.

And the alien responds "tl;dr".

Simple question, simple answer. You asked when different behavior would have made a difference. The answer is the earlier the better, with compounding interest as you push the start date forward. You're welcome.

* net.

"To get to first base quickly, tell a lady about how hot you are for her mother before going in for the move"