And here’s everything you need to know about Disney’s live-action remakes:

Yeah, the school they play in the championship has like 20x as many students as Hickory. That’s the story. I don’t remember the players being treated as anything other than another team to beat. The other teams they played were white because they were from other farm towns.

Her DNA was Greek atleast from her Father not Arab. It would never make sense that she was Arab or Roman.

Killers of the Flower Moon was a very interesting book. I’m not sure I’m on board with it getting the Scorcese treatment. I grew up in Oklahoma, so, I’m sure that works into my wariness somehow.

night of the comet is a vibe

Lair of the White Worm has to hold some kind of record for the largest number of slumming great actors in a sleazy horror film. Hugh Grant, Peter Capaldi and Amanda Donohoe!  It’s a completely insane movie, but compulsively watchable.

I will always have a soft spot for Lair of the White Worm. I was also going to complain about the lack of Phantasm, but it turns out that actually comes from the very end of the 70s.

I have very few arguments with this list in general. I'd probably switch Tenebrae out for Demons, and despite my love for Basket Case, I'd probably bump it off and replace it with Deadly Friend. 

Running the risk of sounding like the out of touch curmudgeon that I very much am, I think the verisimilitude here says more about Drake’s shitty rapping than it does about the powers of AI. 

Sounds like your teacher needs to get a grip.

He reportedly kept waggling his eyebrows and saying “What, no one wants to eff Murray Abraham?”

“If a good movie is successful, people will make bad movies." Is this a joke I'm missing? 

At this point I think irritating his fans is all the reason he needs.

Remember when Martin used to say things like no adaptation of Dunk and Egg because he wanted to finish it.

What! Only a passing mention for Jimmy James. 

Looked at the list instead of the slide show for a quick spotting.

Shiny Happy People deserves recognition. Mainly for Kate Pierson reasons.

The “It’s Alive” trilogy deserve a place on this list.

It’s not (Beautiful was the single from that album that performed well and actually stuck around), but it is rife for looking back and re-evaluating how we treated X female celebrity, which is a fine and fair thing.  

that’s just it. even the good ones are ho-hum because there are so many.