Here, have some crazy I just saw in McFarlane's wiki article.

This feels like being told Santa Claus died. Between Coast to Coast, Toonami and Cartoon Planet (a show that depressingly is even less accessible than C2C and only exists today as uploads from old VHS recordings), his Zorak and Moltar were a huge part of my childhood.

Sorta. The characters were created for a SGC2C script, but they were removed and developed into their own show instead. Then a couple years into ATHF, the earlier version of the script that included them was made into a SGC2C episode.

I'm not convinced until I see "has a pulse" on a billboard.

Wait, I'm at war with Western civilization and Ryan Lochte?

Wait, Western civilization is heading for a war with Ryan Lochte?

No, definitely not new to comics!

I think Batgirl is a bad example. I started buying the series with the Burnside change and I've been getting the relaunch. It's consistent tonally with the previous run and is what I want from a Batgirl comic. The biggest change is that it's jettisoned the Burnside supporting characters (and that seems somewhat…

Priest not having a bullshit filter has made all his recent interviews fun reads.

Jericho was part of the pre-Rebirth Deathstroke comic.

They're using Terra. Here's what Priest said:

AND there's an episode of The Real Ghostbusters from 1987 where he voices an Orson Welles-pastiche.

Starfire is definitely in the same late teens/early twenties age bracket as Wally, Vic and the others. DC has said she has more of mentor role in the new series.

Shortly after she came out, Sophie Campbell's Wet Moon graphic novels had new editions released, largely to update the credited name.

Are they actually working on the book, or is it like the announcement for the first wave?

And that was just after the period when it seemed like they had given Rob Liefeld and Scott Lobdell right of first refusal on every series. The two were writing so much of the DCU between them.

New Super-Man is so damn good.

It's similar to Jemas and Quesada looking at the state of the X-Men after they took over Marvel and deciding, "We're publishing too many X-comics. Let's cancel a bunch."

Nor should the irony of DC writing a female character's violent death to symbolize the return of better times.

DC's last attempt at lettercols was awful. Bland writing and design, and clearly only their to advertise trade paperbacks. The difference between a good and bad letters page works the same way as a corporate twitter account. They're only worth reading when the writer/editor handling them is allowed to insert their…