mrm1138
mrm1138
mrm1138

I really hated Inside because, despite some great camerawork, it just struck me as an empty-headed slasher movie. I can only guess it gets its reputation from a) being French, b) it’s admittedly disturbing premise and c) its XTREEEEEM!!! gore. Otherwise it’s just another one of those horror movies where the characters

As much as I love the M:I film series, I kind of wish they’d make an installment that goes back to the TV series roots, more like one big heist but with espionage stuff instead of money. Considering what the film series has become, I highly doubt they’ll ever do that, unfortunately.

I’m not really a fan of House of the Dead, either, but I do at least like the last twenty minutes or so. His V/H/S sequence has no redeeming value.

Harold and Kumar director Danny Leiner had a similarly hilarious celebrity cameo in his previous film Dude, Where’s My Car. I really enjoyed the fact that the joke isn’t just that the two main characters pull up to a stoplight next to Fabio. The game of one-upmanship they engage in builds to a fantastic punchline.

But Doctor Strange 2 made nearly $1 billion worldwide, so it doesn’t seem like it ate into its box office much at all.

A lot of conservatives think that anything to do with non-cis hetero relationships is automatically sexual content. Apparently, they believe that in order to explain to children what, for example, a same-sex relationship is they have to go into graphic detail of what happens in the bedroom. (This is of course as

Define “sexual content.”

That’s the thing I don’t get about Chappelle. He stopped doing his Comedy Central series because he became concerned that people were laughing at it for the wrong reasons. Does he not care about that now just because it doesn’t affect him directly?

Roy Thomas and Gerry Conway worked on the script for Destroyer, but it was heavily rewritten. They ended up turning their version into a graphic novel called The Horn of Azoth.

The thing I like about Destroyer is that it feels more like a story you’d get from the Marvel comics (helped no doubt by the story treatment by Roy Thomas and Gerry Conway*). Barbarian is the better movie, but Destroyer feels slightly more true to the character.

The thing about Wrath of Khan is that it’s not just a great Star Trek movie, it’s a great movie, period.

“Dammit, Pantera!"

In addition to heading to space, all of Beavis and Butt-Head’s earthbound exploits will also be available on Paramount+, with the network adding a new series and 200 remastered episodes of the MTV series to the service.

I haven’t really seen that sort of revisionist take on The Hobbit, but I think a large part of the reason why the prequels are in favor with so many people is because the people who were kids when they were originally released are now adults.

I’m looking at the credits of the writers involved, and I’m seeing some good shows: The Sopranos, Breaking Bad, Better Call Saul, Stranger Things, Game of Thrones (the good seasons).

That dude got wrecked by a semi-truck in the end of the original.

I thought Kyle Katarn stealing the plans was canon in the EU. Did they change that?

I honestly find the made-up swear words to be more distracting than the modern day kind. I welcome that change.

Yeah, I also enjoyed Uprising (with the exception of killing off Mako). I liked the way they followed up on the but with Charlie Day’s character mentally linking with the kaiju. The kaiju scenes definitely weren’t as visually interesting as the ones in the first film, but I was impressed with how they were “shot” in

I think the article initially referred to Banderas as Latino but was later corrected to Hispanic.