I dunno, Better Call Saul and Loki both ruled.  Is Lost World the... Jurassic Park sequel?  That sucked for like 10 reasons.

It’s gonna be wild when it turns out to be a spinoff of Legion.

> This brings into question why they sold his trade if they knew that he wasn’t approved. Maybe they sold it thinking that a lender would come through last minute with an approval.

It means they stole his car, but because it involves money being made by a business which in our fantastic hellscape of end-stage capitalism trumps most laws, it’s not going to be prosecuted as such.

Hawkeye was my favorite of the shows too, which is almost unfair to compare because of the perfection of casting Hailee Steinfeld as Kate Bishop 

I think Inhumans would be more disliked if more people saw it.

“I think she is a big deal on Broadway”

I mean I know Patti Lupone since she’s been around forever but every single other person on that list sounds like someone slapped Scrabble tiles down randomly.

I still can’t get over how they spent like $250 million on Secret Invasion and I guess none of that went to hiring a competent writer? That show was shockingly terrible.

All the lore implications aside, the main thing I want out of a Marvel series now is for it to be, you know, competent. Almost all of them have had the same problem of being paced weirdly and having irritating plot holes and character behavior that wouldn’t pass muster on your average network procedural show. Marvel…

The Tennessee DMV first got suspicious when they heard his accent, and knew he must be a layaboat. Now they’ll kick him oat!

“Now You Don’t” alone isn’t a great name. “Now You See Me: Now You Don’t” is.

I guess this is a hot take but I’ve always thought Now You Don’t was a terrible idea for a title. Funny when said in the same sentence as the title of the first film, but sounds absurd when it’s by itself.

Have you tried not driving it? I think that’s recommended in the owner’s manual.

i’ll make a case for Executive Decision: every decision in the carefully planned rescue mission goes horribly wrong, and the movie is about recovering from those badly executed moments.

The bit that cemented Cruise to me as one of the finest actors around was when he swaggers into Brendan Gleeson’s office, all Madison Avenue slickness and Don Draper Charm, with the friendliest smile on his face, and then Gleeson tells him he’s not here for PR, he’s going in with the first wave.

I’ve said it before: Cruise’s best roles are the ones where Tom Cruise’s charms fail to help the character, and he has to fall back on other things. Trying and failing to avoid deployment in Edge of Tomorrow? Trapped in the chair while PSH counts down from 10 in Mission: Impossible 3? The gotcha interview in Magnolia?…

I collaborate with myself all the time. And despite what my mother told me, I haven’t went blind.  

I’ve known people who have said they did not understand it was satire or that the humans are clearly fascists and I just can’t comprehend that when Doogie Houser walks into the third act dressed like an SS officer.

For me Starship Troopers prefigured The Boys as a satire that flew over the heads of at least part of the audience. I know people who to this day do not understand that it is anti-militaristic and take it at face value. (Mond you, these are the same people who laughed instead of cringed at Clint Eastwood’s Korean jokes…