Yes, if they cut to Moss for regular "what the fuck is this guy saying" reaction shots. That was the best part of Keanu Reeves in that movie.

…But wait a minute!

Sure, but that was a fairly straight-ahead feminist story. This showrunner doesn't seem at all interested in commenting on critical reaction to his last season, so if there's a major female character, I don't think she'll be pulling the weight of the traditional "strong female character".

I thought the 'meat' dialogue was just a little lampshade on Cohle's mumbling. Sometimes Marty DID end up sounding stupid, but other times, Cohle just couldn't be bothered to speak clearly.

Who was in charge of the police then? Did the American military involve itself in that level of law and order?

There's NEVER anything good coming from a room surrounded by honeycombs of pine air fresheners.

It seems like they make a point to never be watching the other when they're giving the finger. One does it, and the other reacts the next moment by instinct.

Woody Harrelson can do a lot of things authentically, and casually backing up in a wheelchair is one of them.

If he'd imitated Clark Gable a little more maybe his standard voice wouldn't be so fucking gnarly and off-putting.

Gary Oldman and Elizabeth Moss would make for some snappy (but intrinsically respectful) back-and-forth. Plus, she's got a good bitch face and she never gets to use it.

I didn't catch anything Jewish implied about the guy, but great line anyway.

Does anyone assume all the groups of evil, marauding men are just different groups of evil, marauding men? That's kind of how post-apocalyptic society is usually depicted, right? Just, dozens of pirates and bad guys.

Becky the dog, obviously.

Yeah, I thought the Bob and Sasha stuff was quality, to the extent where I wasn't consciously criticizing the writing as it happened.

I can see this becoming something like Dallas or ER. Passably good television for its time, but much better remembered for its cultural impact than for its quality.

I'm just happy he made it out of the prison this time.

Oh shit. OH SHIT. IT'S MARTY.
FUCKING.
McFLY.

I think that amount of detail was just there to give the website the ad time they paid for. No one wants EXECUTIVE PRODUCER: MATCH.COM, after all.

You can't really convince someone that your "massive conspiracy" theory is correct by starting with that videotape. Marty would instantly ask, "WHERE DID YOU GET THAT?!"

Is anyone else frustrated with the lack of clarity on the lawnmower guy's face? It's clearly done on purpose, with the sun behind him and all, but I really can't tell if the bottom of his face is supposed to be scarred. The "spaghetti-man" picture and the Hitchcock-ian ending make him overtly villainous, but I'd have…