monotransistor
Arturo Lugo Gonzalez
monotransistor

New AI Demo Shows Why Games Writing Should Be Left To People [For Now]

Control really isn’t the issue. Executives already have control. The real end-game is laying off the majority of staff, working with a skeleton crew (if anyone at all) and forgoing hundreds of salaries and benefits packages, increasing their bottom line exponentially.

Multiple things can intersect and be true at once if you consider the history at play here.

I believe the topic in question is that this app is a national security risk, so I don’t see how “tik tok should exist because of the funny memes” is a relevant defense against that.

Since all of the gizmodo family editors are doing these, can someone do “top 50 white nationalist recruitment propaganda on tiktok” next? How about “top 30 illegal/cruel tiktok pranks”? “99 tiktoks that induce body dismorphia in teens and teach them unhealthy/pseudoscience ‘cures’ for their perceived inadequacies 🤫🧏

I’ve noticed that the stories by Zwiezen specifically are especially shallow and superfluous. And as Giz continues its slow collapse, people like Zwiezen do more and more because there is no one else around to do it. Which only contributes to the problem.

Well that’s the left today for you. You’re either an activist too or you’re literally Hitler.

Kotaku has paid Geoff Keighley quite a bit for freelance work in the past, yet I see no mention of it here in this article where Kotaku claims some kind of superiority over this man who they contracted with. Does Kotaku treat all its former freelancers this way? Will Kotaku issue an apology for having worked with this

I’m confused as to why people seem to think Keighley should be an activist. His shows are and have always been marketing shows. The only time he’s ever mentioned a publisher in a negative light was Konami and that was only after it essentially left the gaming industry and was no longer relevant.

Stop defending this blatant Chinese-State-Data-Machine. They are open about it’s connections. There are many other platforms to use that aren’t feeding data to a Government run by assholes with only ill-intent for said data.

Gaming communities will survive - thrive, even - without TikTok. Get a grip.

That’s great, but also...WTF is wrong with you, Sony?

Gravity Rush 2 is not a standalone game, you have to play the first one to understand what the fuck is going on...PORT THE FIRST ONE FIRST, YOU DUMB BITCHES.

Cut to six months from now and Sony reports super low sales because they thought people on a different

So is Kotaku going to acknowledge their role in this, and shift their editorial stance regarding running stories about emulation, in particular emulating pirated games? I recall ‘Tears of the Kingdom runs great on Yuzu even before it’s been released on Switch’ being front page news here.

kind of wish it’d just close at this point so I’d stop checking it out of habit.

Hahaha this place is getting more ridiculous every single day.

I’ve been playing it since release and I love it. Which I figured I would when I saw Kotaku didn’t like the game. 

Re-reading Kotaku’s review of the game- outlining how terrible it supposedly is, and the long debates around it in the comments section is hilarious in light of the fact that the game is actually well liked and apparently a lot of fun- is pretty hilarious these days. Kotaku’s obsession with messaging over actually

She’snot a piece of shit. Stop with the childish NONSENSE. 

Let's be honest: the anti-Rowling crowd is composed of ignorant morons looking for a reason to feed their anger addiction. 

Yeah sure, 84/85 metacritic but “wasn’t a hit with critics” 😄