"The gay who comes with the room" is played by Tommy Lenk who has an amazing Instagram.

Shea is not a "newcomer" (although she is indeed gorgeous). She's been in the show since S1.

It's dangerous to normalize the current state of affairs, which is right out of the Nazi playbook…nothing like the Bush years, which was itself no picnic.

"spoken like a true Chicagoan"—wait, what??? I grew up in Queens, three blocks away from the El. Yes, we called it "the El."

This reviewer and I are definitely on different wavelengths here. I'm finding this to be eminently binge-able.

The supremely disappointing Vinyl shouldn't even be mentioned in the same breath as The Get Down, which is light years ahead in terms of how it directs its focus and in its ability to evoke that era.

Yes, that's how I took it as well—as a trick question. If Danny had chosen the restaurant, and made a go if it, he'd be able to take care of his son. He chose…poorly.

Last week, I was astonished by Meg's cavalier attitude toward her incredible (and now former) job in New York, but this week, I see where she got her work ethic:

I thought the writer might have veered away from writing in more Senator Morra developments because of the uncertain availability of Bradley Cooper. I know he's an EP of the show but I don't know how much time he can commit next season (if there is to be a next season) to appearing in it. So Sweeny hedged on that…

Ronnie Mund, Howard Stern's security guy and driver, appeared twice in the closing sequence (the "battering ram," I think).

Sorry, I completely missed that, but read it earlier up thread.

I missed that he changed cars!

The ice cream truck driver saw Mike's POS car parked behind the billboard before being blindfolded. Once he has a chance to interview the driver, Hector will connect the dots.

Did the apartment where the scene with the pervy linguist prof was shot look familiar? I could swear they used the same set in Jessica Jones.

Wait, so nobody's going to mention Matt Murdock's hair? Good job of hair styling in the flashbacks to make Matt look 10 years younger, but in that rooftop scene, especially in the profile shot when Matt was eavesdropping on Elektra's meeting—oofa, that was some Trumpian-level comb-overiness.

Someone else mentioned that insofar as it might suggest Noah is highly critical of himself; he comes off as an asshole even in his own POV.

Both great points, @mandaliet:disqus and @disqus_sT9Bh7HdCE:disqus. I hadn't tracked how much time had passed, nor did I remember the Alison POV of Margaret. This show never ceases to intrigue me with its exploration of the deceptiveness of subjective perceptions, and I must be ever-mindful that we cannot trust any…

I've only seen this mentioned her tangentially in the comments so far. How is the viewer supposed to understand Margaret's personality transformation? Up until the last two episodes, we've seen her from the POVs of Noah and Helen, and in both POVs she was unremittingly nasty. In the next-to-last episode, we saw her in…

My negative reaction to Laura is rooted in the actor's portrayal of the character. She could have dispensed with all the smug smirks.

Yeah, Noah feeling entitled to say "no" really got me too.