Unrelated news, but it’s interesting to hear that a mysterious new superhero is defeating villains in his area with a single punch.

Bummer, I always liked his work. He was one of those super intense-seeming actors that scared the s*** out of me when I was a kid. I still remember renting the classics like Goodfellas and No Escape (shut up it’s a classic to me) and watching them way too many times even though they were far above my maturity level.…

Wanda’s fate reminds me of Daenerys Targaryen’s in the final season of Game of Thrones. Both stories depict power corrupting once-beloved female characters, who are then demonized and ultimately disposed of.

I mean, this critique would probably have a lot more merit in my opinion if MCU’s answer to Superman wasn’t a woman? With a multitude of diverse women heroes taking up residence in phase 4, (literally nicknamed M-SHE-U), I think this is an unfair observation. It’s just not true. It sounds to me like you just don’t…

So what you’re saying is that if a villain is female it’s sexism, because you don’t like the character arc being given to the character. That’s a pretty terrible take that only works by you cherry picking two characters. After all, you can look at other female characters that gain power in both series that aren’t…

you are really, really letting your personal biases show through on that. Shows generally get cancelled through a combination of poor viewership, cost to produce, and development headaches. Legends is probably one of their most expensive shows to produce, and based on a quick Nielson search, is one of the CWs lowest ra…

I have no definitive proof, but I’d bet Netflix’s “creativity” consists solely of the most left-brained analysts rigidly adhering to whatever the viewership metrics tell them. It feels like they just pick the most common traits that surfaced in the dark cauldron of their analytics, and then mandate that’s what the…

It was nice to have a show that was simply FUN and light. In an era where traditional scripted TV, and esp. superhero shows, are trying to hang on by going darker and grimmer, LoT S2 onward was just a refreshing tonic of a good time.

I’m ok with this. I’ve watched both seasons. The show didn’t really know what it wanted to be. It focused WAY WAY too heavily on the daughter and by the second season was pushing an extremely unearned “we’re just one big dysfunctional family!” dynamic. (Complete with an awful forced Jim/Pam romance between the two off…

The second season was definitely a “gonna get around to that new batch of eps...soon...after this other thing” show around the merp home.

Wow.  I watched season 1, didn’t hate it ... and even I didn’t get notified that season 2 was available.  Netflix fail.

If you would’ve told me at the midway point of season one that this show would’ve gotten seven seasons and got zanier and zanier as the seasons progressed, I’d have laughed you out of the arena.

Reviews are so 2019; it’s all about dismissive snark in this modern ripped from other sites the headlines micro-blog era.

“The Steve Carell-starring sitcom aired its second season back in February, apparently”

Today I learned that every movie has a slowed down “dark” version of Aqua’s Barbie Girl.

Adding that song would just cheapen the artistic integrity of this licensed-franchisable intellectual property brand-building product.

Craigy Ferg left the Late Late Show in December 2014.

*monkey’s paw finger curls up*

Craig Ferguson was the best host of any later late night show and pretty much nobody could do the kind of thing he did.

Ok, Discovery/Warner said they were gonna dial back “new” scripted shows. Now they’re cancelling the ones they have.