You’re just a fucking weirdo and a bigot that most people find uncomfortable to be around when you drone on and on about this. Go back to retweeting Graham Linehan, weirdo.

“one of the most depressing journeys to have watched.”

He’s too awkward and uncomfortable with the humor, which Tennant has no problem handling. 

“All in all, this seems like the best option to make the Fantastic Four successful in their own right and to allow the MCU to break its own mold a little bit and create something that has the potential to be fresh and interesting.“

I don’t see anything very dark in early Batman comics. There’s like a handful of gun useages in a few 30s stories and people pretend somehow it’s super noir, extra hardboiled, and dark as fuck. It isn’t. It’s mostly Kane being a lazy piece of shit and ripping off other artists several times a page.

“Maybe we’ll see a Kendrick Lamar/Sheryl Crow collab sometime in the future.”

“What they’re missing is that analog tech is mostly not being developed anymore,“

You two have supremely shitty radars. Get them serviced.

Forget it, LaRue, this is Polynesiantown

I don’t think  Cate Blanchett had anything to do with the above image

God, doesn’t that sound incredible. With her ludicrous gifts, she would make that freakin’ sing. Just thinking about it gets me excited. 

Um, go run out and watch the series. It’s literally one of the best adaptations I’ve ever seen. The changes they make are very smart to help tell the story, nothing done just for the hell of it.

That sounds like a really interesting show idea to pursue right there. There are so many different ways you could look at it and most of them would be far from Orphan Blackish. Write it up!

bring in The Question as his buddy

Bourdain was an interesting and multi-talented guy, but he wasn’t very good at having another writer and artist make comics out of his pretty cliche ideas. I was kind of hoping it was going to be like all those crazily detailed manga about chefs... not so much.

Not really. He goddamn worshiped plenty of filmmakers.

When it goes badly it goes REALLY badly. Can’t blame him for being traumatized. But I’m sure you know what’s best for his career as a filmmaker and artist better than he does.

I mean, he wrote and shot all that stuff with the exception of the stiff prologue. Can’t blame him for not wanting to put his name on a version of it rushed together for TV that didn’t bother to do the Fremen eyes. I’d love to see what he’d do with the footage after a year spend obsessing over the ambient soundtrack.

Christ, just that insane hand-carved wooden set alone was bonkers

I didn’t much care for Villenueve’s bland version. I’d love to see DL recut it, what fun!