Oh that makes it totally ok because his audience totally doesn’t repeat everything he says like a parrot. I mean, here you are repeating his insipid  damage control like a fucking parrot.

Nah. doesn’t work exactly alike for every franchise and every generation and every set of films. The industry would be predictable if so, and corps would fucking love that.

Probably because we’ve read interviews with artists and there are maybe five worth the read

Don’t be naive. It’s a business decision based on a new deal.

“I can’t help but wonder that if you put younger people into the higher echelons, we’d see fewer endless sequels.”

I doubt it

Shame Eugene Landy is dead

Let’s spend more time sneering about teenage relationships from decades ago.

The only traditional sense anyone cared about was being GOOD in a traditional sense

I guess if you wanted to keep up with podcast jokes from several years ago

It’s a shame they are not as fun to talk about as those weird, dull prequels. Misguided obsessions always make for interesting anecdotes.

Obsidian once again citing lack of features and budget as somehow a virtue

“I was going to list some other stuff that happened in 2017 as part of this bit but then I realized that was a horrible year.”

“Megan and Cardi B apparently have reputations of being super helpful and friendly to up-and-coming artists.”

“I want to know where the line blurs between fair use and infringement.”

Judging by the fact that we never managed to pay musicians fairly for digital music, I’m not optimistic.

Slaps is what people say when they don’t really have much interesting to say about music, isn’t it?

As if he’s got problems coming up with material

Sounds pretty dull

It happens so rarely, who gives a shit