she’s stopped by some conveniently quick SWAT team guys

I mean, that was the whole shtick in the comics. Only the jokes were pretty unfunny Byrne things and the cheesecake factor was cranked way up.

*This* version of him is noticeably lighter, too - I liked his “I’m Daredevil!”, as if Jen should know who he is. Some really good henchgoon beatdowns, too.

The 3 things Daredevil is most known for are the fighting, flipping about, and fucking. So to me this was a slam dunk of a return. Looking forward to see how they wrap everything up but whatever the finale brings I’m sure it will be taken really well by everyone.

They’ll complain they can’t relate to someone who has sex.

The “don’t ask me how, I just know” was so out of character for the Netflix Daredevil that it was hilarious.

Not a paid actor. I’ve been very critical of the show (not on Twitter, which causes cancer). This was an unusually good episode that’s not indicative of the rest of the show, which has mostly been unfunny thing that doesn’t matter of the week. I always thought Tatiana Maslany deserved better material and I finally got…

Matt, in the books at least, is California bar qualified.

There was a “Daredevil Hallway Fight” for his fans, and Jen messed it up before it got good.

Leapfrog seems like he belongs in The Tick universe.

The Sokovia Accords have been repealed. Seems like too big a deal to be revealed in a throwaway line. It’s an extremely new development since they were still a thing during Ms. Marvel.

I hate Luke Jacobson. Not only is he obnoxious, unreasonable, condescending, and…

Give whoever wrote and timed out that Nikki as Wolverine bit a raise.

This was a really good episode, and for me at least it solidifies She-Hulk as a good MCU property. Even if the improv style gets annoying sometimes.

Yeah, “day for night” is not classed as a “special effect” at all. It is the term, since the very earliest cinema, for the methodology of shooting “night scenes” during the day. The regular crew uses their standard-arsenal tools of lighting, lensing, editing and production design, and the necessary darkening and…

My reaction: “This must be a very significant scene, pivotal to the plot, like the Battle of Winterfell. You can tell, because it’s so dark you can’t see anything happening.”

It’s a little stale seeing the constant jabs at season 3. That season was no less of a master stroke then the previous two. The humor was just as fresh, and the characters were still as well written as they always been. Even with the episodes that didn’t focus on them, it was still very well done. For those who didn’t…

Now I have to look up praise-miming because I stupidly thought it was just a funny thing Honk for Jesus made up.

Al hitting Earn for bringing their auntie to the studio and all that mess, lol. Now they gotta sit there like little kids wishing to be anywhere else. This episode felt too real. But it would be my mom that was like the Auntie.

Earn and Al definitely just got lucky while using the Shmurda exit, but also, how did that studio not have a back exit before he built it? Isn’t that a fire hazard or something?

My mother and father have wanted to play Cards Against Humanity with me for years. I refuse! I don’t want to hear either of my folks read something about “gobbling Oprah’s balls” or anything even close to that!

I wish that Glover had played his own grandfather (give a nod to Tyler Perry and Eddie Murphy).