I'm so confused now because I thought this Agent Carter show that people have been talking about was Nick Carter and the boys kickin' ass and takin' names on the backstreets. But now he has a reality show? What a hard-working man!

While I heartily endorse your proposal, if it came to pass Telluride and Park City would become ghost towns and Toronto would go back to being known primarily as a stand-in for NYC and Chicago. And A.V. Club writers would no longer get as many all-expense-paid junkets or swag, which could render them depressed or even…

Why doesn't Boeckner just start recording material under his own name already? With a name like Operators, I'm expecting Lily Tomlin's Ernestine.

My favorite use of that song is still the ……………SPOILERS!!!!………………………………

Sorry for being confusing. Yes, I was referring to cabspaintedyellow's comment.

The Master's hands are really creepy, creepier than his face I thought.

He did go after Gus first. Gus ducked. Then Gus attacked the driver.

I read that del Toro insisted on the wig. Apparently, well before the role was cast he had a firm picture in his head of what Eph would look like and that included a full head of hair. He was good with the casting of Stoll, but only if Stoll would wear a wig.

Well, I'm not sure what Beema meant, but for me I think Brandt's performance — particularly the way she conveys desperation, shame and confusion — elevate the material. Also, the way this episode juxtaposed Bill's, Gini's and Lester's responses to Barbara's situation really pushed her character beyond being a tragic…

I don't actively dislike them, but they don't do much for me. I really didn't ever pay much attention to them, but I did this episode because of the discussion last week. I think people have a point about the tone seeming off. It doesn't bother me, though.

I got sucked into watching all 13 episodes of a series that originally aired in 1980 called Hollywood: A Celebration of American Silent Film, written and directed by Kevin Brownlow and David Gill. Brownlow wrote what I think of as the definitive history of the silent era, The Parade's Gone By…, and this show seems…

I'm still excited to see The Drop, even if it doesn't turn out to be all that, just for the cast. And I'm still not convinced about Nightcrawler, which looked horrible from the trailer, especially with all that mugging from Gyllenhaal. I could barely take it for a few minutes, I don't think I could sit through a whole…

I forgot to mention that I consider A.V. Club's failure to mention Scanlan's role on In the Flesh — which is a show A.V. Club should be paying more attention to — a crime against humanity and I will be filing a complaint with the U.N.

I never watched Hollyoaks, but Scanlan is also in season 2 of the excellent BBC zombie show, In the Flesh. Judging from sexy pictures posted over at My New Plaid Pants, Scanlan engaged in a lot of man-on-man action in Hollyoaks, Shame NBC is only interested in presenting the closeted version of Constantine.

This is why my pilot for Ode to Billy Joe - The Series wasn't picked up.

Kate will dream in the stillness of remembering what she had … and what she lost … what she had … ooo, what she lost….

It was, but he outgrew it.

Is everyone in this movie as emaciated as everyone in the trailer? American audiences are going to think that Glasgow is enduring a famine.

I was thinking the same thing. The genuine Wes Anderson and Whit Stillman are precious and twee and empty and offensive enough.

Yes, it was there. And I watched it only because you asked about it, because I didn't know what it was. And now that I've watched it, I still don't know what it is, apart from that it seems to be about a singer and looks like it's set in the 1960s?