I’ve seen this piece complaining about her getting sympathy, but I have yet to see any other piece actually being sympathetic to her. As for him, he’s two affairs confirmed and not yet terminated a-la Matt Lauer, so he’s not necessarily getting killed for this either. But....

Leaving public moralistic intrusions in to…

He likes reality shows, so is he gearing up a low-rent “Survivor” with blur-free tits and dicks?  Be careful what you wish for....

When you’re someone who’s given years of your life to servicing Marilyn Manson and you TURN DOWN a Broadway show, you know that show must really suck.

In the end, well-acted, nicely directed, but the undeveloped plots are a mile wide and half-an-inch thick. It’s not Love Boat” dreck, but it’s not Emmy-worthy brilliance like some people are screaming. Just go watch some classic films and compare the scenes and interplay between characters, or the evolution and…

In that scene, neither could his “uncle”.

Well Sydney Sweeney does have some spectacular mimetics...

Exactly. And if there WAS a cowboy, it sure wasn’t goofy Greg. And I can’t even believe awkward Colorado bureaucrat parks employee Greg would find a team of gay European grifters to go after Tanya’s money. Way too many easier ways for him to cash in than splitting it with all of them if he could even find them. Plus,…

I can’t for a minute believe that flamboyant Quentin would ever have any interest in bumbling Greg, let alone a lifetime of pining away for him. I think that’s just a Quentin story to help flesh out the overall grift to Tanya.

Yes. Someone pointed out that White is writing in some Italianate style that requires the constant purposeful-but-illogical misdirections to set up ensuing chaos. “Dead To Me” is built on the same annoying structure. It gets really old.

C’mon lets have a little love for “washed up dinner entertainers”. Lots more making an honest buck that way than selling out theaters and arenas.

Too much clothing required. I’ve always figured that’s the core reason Survivor only does tropical locales for the last 20 years or so...

Portia may also feel sexually demeaned because nice-guy Albie ia all over the hottie in the bar, but barely brought himself to awkwardly kiss her. So now she’s playing “See what you missed?” with him. But she also said in her first phone call she basically just wanted to get laid, so....

Real people cannot queerbait

This will allow him to stop the queerbaiting and finally haul one in and get it over with. I don’t think anyone will be that surprised or care at this point.

I don’t know. I’m not a fan of the plotline - just intrigued. If it pans out I think one will be able to shoot several editing /writing holes in its execution.  Its no “Fight Club”.  But why else have all this weirdness around a secondary character like Greg?  There HAS to be more to make us suffer through Tanya’s act…

I feel pretty sure Albie the “nice guy” is going to go on rampage, but I can’t be sure who he kills. I’m waiting for a foreshadowed weapon to appear somewhere. I assume Leo the Pool Guy, and maybe his Dad and Grandpa and / or even Lucia die when he thinks Dad paid her to service him, but I think Portia needs to be…

Agreed. This episode seemed filled with SMH contrivance, not the subtlety of the previous episodes. The Valentina turn is downright bizarre. It’s like they re-wrote her character mid-script.

Are you so fucking anti-social that you show up a year later to write personal attacks on a media review site? About a TV show? You’re the fucking joke. Couldn’t write an original thought. Go find a party to be avoided at. And make sure your mom leaves the basement door unlocked so you can be back in your room by…

She actually says, “Your husband is already here.” (or something close to that) meaning he could be in an urn waiting to be “thrown away” (one of Greg’s lines later on). After that the scenes get in to Greg always being in the shot with Tanya if he silently interacts with anyone else at all (except for the waitress,…

See my other post: Greg is dead and is a Sixth Sense figment of Tanya’s imagination.