It's times like this I remember what Nietzsche said about the abyss looking back. And about how B movies with sharks in tornadoes aren't meant to have two sequels.

The Secret Service's biggest security concerns are now wet floors and banana peels.

Wait, Syfy is making a "Childhood's End" miniseries?! I don't know whether to be excited or scared.

"Sorry?" No need to apologize. Hell, this was a great reply, and I thank you. Plus, if I was about to criticize someone for writing long, rambling posts about recommending artistic works, I'm not sure my glass house could handle all those stones. First off, "Bedlam" is equal parts creepy and mysterious, and it really…

This is a great list. I like seeing "Injection," "Negative Space," and especially "Southern Bastards" on here (probably my favorite comic series of the year, mainly because it's helped me to deal with with the tragic loss of "Justified" on TV). Out of this vast list, which ones would you say were your favorites…

In the story there are reasons behind his moral and psychological turn that are very well-examined, and it really shows just how much humanity would be scrambling if a superhero were to suddenly turn murderous. It's a great comic, and a great artistic work in general. With the onslaught of comic IP adaptations, I…

Well you'd be right to be skeptical, considering that "inverting tropes" is a popular aspect of most postmodern artistic works. Or at least, what they proclaim to do. But without spoiling much, I'd say that "Irredeemable" takes the concept of a superhero gone bad and takes it to extremes that haven't been mirrored in…

I don't know if you've ever seen "Workaholics," but she steals the show there too (albeit with a bit more showboating).

I was a late starter with comics, and aside from "Watchmen" and a few others, I had never really gotten into the medium. But after reading Mark Waid's "Irredeemable," that all changed. The way the comic is able to take the superhero trope and completely turn it on its head is very original, and the overall story the…

I can understand the issues people have with the frenetic pacing and the amount of plot lines per episode, but the show is fucking hilarious. Great cast overall, but Tim Robbins especially just steals the show. He's probably generated the most laughs out of everyone. "Get me her details."

So you're just happy to see me?

Gotta say, making a comedy about a real-life nuclear power with an unstable government is a tall order. But for the most part they've really pulled it off. I can understand some of the negative reviews in terms of the pacing and how they cram so many plot lines into each episode. But it's been very funny and has a…

I love the dynamic between some of the characters. Jack Black and Aasif Mandvi play very well off of each other. And though it's not been showcased as much recently, the relationship between Tim Robbins and Maribeth Monroe's characters is very funny. Though that could just be because I love Maribeth Monroe.

"We killed…a cop!"

A character death that becomes material for a mystery, in order to take up more time on the show? I'd say option three.

If that actually was in "Fargo" then another character would have laughed afterward, said something funny in that Minnesota accent, and brought a moment of levity. Instead we just get Vince Vaughn staring ahead dead-eyed, wanting us to know just how serious he is.

Will he be playing a good cop or a bad cop? Or will he be a different kind of cop?

Somehow I think David Rees Snell would be a good fit too. In all seriousness, as long as Goggins is on screen in anything, it doesn't really matter what he does. It's always top-notch. Just no more family meetings.

Sad to hear. This show was hilarious, especially with the voice work that Brad Neely did. The Ronald Reagan impersonation in the pilot episode is still one of the funniest things I've ever seen. "China, IL" will definitely be missed.

He's in the upcoming film "Sicario" too. Very glad to be seeing him in more stuff.