Except [it seemed to me, I’ve only watched once] the first person she pushed in was a waitstaff? Dressed in all black and carrying a couple of drinks?

Legends of Tomorrow would like to have a word . . . 

I think it’s a feature of them not *having* to cut anything down. It’s the nature of the TV production beast to have weaker lines, or lines which seemed funny on set but don’t actually play in the edit, etc; a lot of shows have these jokes, it’s just that when the edit comes in at 46 minutes, they’ve got to get it…

while I’m glad to see a lot of shows building out from “one non-white character!” it’s still true the majority of leads are at least a “pick two” of white, straight, and male, whereas Legends for the last few years has only had a few of those, and none as lead-billed (though Nate has sometimes had a lot of screentime,…

I put a lot of my feels about this absurd, perfect little show into this (and hell I dunno if the link will work or even if I’m still greyed, but. I hope you can see and if you do, enjoy):

You can get a Google number (for free) and just have it ported to your phone; I still have a US Number and I’ve not lived there for 6 years. Very handy since I do a lot of work there and want to ‘look official’ . . . and also people like my mum aren’t good with technology, or phones, and just being able to call a US…

Not enough energy? Just believe harder, Barry, and the energy will manifest!

The movie UNBREAKABLE, but for pregnancies.

Rewatching this series now and reading your reviews along with. I love your points on the radio motif, wardrobe, and how the director should have steered Armstrong’e performance. Thanks for the review.

Peter feels the most like DEAD LIKE ME’s Reggie of anything else in Fuller’s catalogue, and I do enjoy it (though I think the episode around it could have been stronger / fed off that energy better).

The first watch through I was really wondering how much She was manipulating him. Then I remember when I got to the end I had a polar opposite conclusion. Now on my first full rewatch since the show ended, I’m finding myself seeing how it could definitely go both ways as written, and Emerson’s cues are super, but of…

Wait, you don’t happen to live in Portland, Oregon, perchance.

I’d like to imagine they wrote it in the script, and production just nixed it because of the absolutely bonkers prospect of having to clean up and reset glitter (and get it out of costumes! and wigs! and makeup! and equipment! and every crevasse imaginable!) between takes.

I’m somehow STILL IN THE GREYS but am here years after your original comment (and slightly-fewer-years after your follow-up comment) to note that I very much appreciate both of said comments.

I am STILL IN THE DAMN GREYS but one day will come out and on that day, you will see this comment, thanking you for this analysis 

10/10 Would Watch to see Kim con, wheedle, and finagle her way through the prison system.

This is incredibly specific and pedantic and detailed AND I LOVE IT!

I’m so angry I am somehow STILL IN THE GRAYS because as lovely as this episode is, I just have to be heard when I say:

Between crossover duties and directing duties, Caity Lotz had more than enough going, so makes sense to have given her two episodes break in a row.

Holy wow, I hadn’t thought of the hemophilia angle! That would have been brilliant.