Oh but we have seen TONS of metas turned quite evil when they used to just be kinda dickish sometimes, also why are so many E2 metas evil, including Caitlyn, Cisco, Laurel and Dante, all four good people?
Oh but we have seen TONS of metas turned quite evil when they used to just be kinda dickish sometimes, also why are so many E2 metas evil, including Caitlyn, Cisco, Laurel and Dante, all four good people?
I don't think they can have Caitlin kill someone unless they fully commit to turning her a villain, thing I don't thing it's necessary to develop the character. I mean, Killer Frost now in the comics is in Justice League of America, so maybe there's a synergy to keep her on the good guys side.
While I still want to know WHY powers make people prone to mental unbalances, I did like how breezily and emotionally resonant the episode felt. Panabaker was great this episode, and I did like how this version of Killer Frost is much more angsty, yet still petty, for a delicious mixture of darkness unlike the more…
It kinda makes you realize why Arrow pads itself with SO MUCH relationship drama.
I don't know if Supergirl doing a whole Arrow episode as a D plot is a good thing or not.
You should ask that to a girl I guess.
I mean, yeah! I think it's time we realize that a "love story" isn't necessarily a romance. And I mean that in the friendships and family are also very important relationships deserving to be focused on, not in the "no this isn't gay, they are just friends" shut down queer relationships way.
I don't think I quite agree with this. Yes, Paula had a void in her life she needed to fill, and her crazy shenanigans with Rebecca were a way to do that, but it actually never worked. It was always clear Paula had to so through the actual reasons why she felt that emptiness on her life.
Oh, so the bitch line at the end is actually a call back! Ingenious!
It treats us so well.
Can we make a side bar to talk about Vincent Rodriguez' legs on the ballet number? Cause HOT DAMN.
It was one of those things I never knew I needed until I got them.
I literally screamed during that wistful glancing during the last scene, fuck, I had flashbacks to their first duet together on the freaking pilot. It has been there since the beginning.
I don't know; it has been clear since day one that Mick is like an id monster, someone almost always actually out of a primal instinct. While this episode edged that trait into a more physically violent venue, I really don't think it's outside his characterization at all.
I think it would be "filthy rich trumps race" LIke you really need more than a few millions to really get post-racial.
That would be super awesome and I'm also hoping for it!
indeed! better sooner than later I hope.
Oh yeah, I do agree with that. What I'm saying, I prefer maybe getting a good set up for a character's development than whatever poor Kendra has.
Yeah, I really don't think he can come back permanently now. He would be rather superfluous.
Honestly, me too. I have been rewatching a couple of S1 episodes, and Kendra only can have drama about her plot, or drama about her relationship caused by her plot; any development or interactions with the rest of the cast are just incidental to those things.