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MAYORDADA
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Wow, I forgot about Trenton & Mobley. Maybe they'll all be in ECorp's utopian carcinogenic time-space reality simulator videogame being developed at the Washington Township plant?

Bad choice, if you ask me. The whole rhythm felt dependent on a resolution in the second half. It was the THIRD episode that explicitly ended on a series of cliffhangers, some of them still left over from last week, no less!

There seem to be a few clues, beyond Whiterose's sort of The Archtiect-esque conversation (not with Mr. A[l]derson this time):

I couldn't agree more. That said, after two exhaustingly TV-ish episodes, I'll give this one SOME credit for taking things in a more ambitious & radical direction.

Can anyone tell me (Ignatiy, maybe?) what, exactly, happened to Wim Wenders? How does such a ripe & complex talent become so sour & turgid? Where did he go wrong? Is there a literal turning-point in his filmography? Did he have some sort of accident? What was the last watchable (scripted) film he directed? It's

Those are all radical jumps in logic. It's not that I "don't get it," it's that I'm irritated that a show which usually justifies every point on its narrative arc, especially those that may seem at first irrational or impossible, is obsessive about realism & continuity within the logic of its universe, & which goes

HOW was that smart? Being a nurse is a very very busy & hectic profession, why would she assume anything about when the TV was on what channel, & why the nurse did or didn't see it what time? That's such a stretch it's beyond all imagination. What's to say they don't have cellphones (with news alerts), or that even

Me too. That scene in the hospital where she "figures it out" was some C-level cancelled police procedural maneuvering. I mean, come on….

Wow okay, I was just scouring the comments, only to find that nearly everybody loved this episode. Very surprised to find anything above a B up there. Even Alex's review, which I just read, concedes that it "occasionally cross[ed] over into outright baiting, with more soap opera-style cliffhangers and messy

I haven't read the review yet, trying to keep my reaction fresh, but between this week & last week, there's been a massive drop-off in quality of writing the back-half of this season, & it's reflecting on the first half, which took its sweet time, with a kind of tension that I couldn't help but feel was setting-up

It's thanks to the death of the telecast that MDMA won the Party Drug Wars, & MDA is now a rare, forgotten drug.

Spoiler Space! Spoiler Space! Spoiler Space! Spoiler Space!

Cheap emotional turns, reset by the next episode, are not something I ever imagined seeing on this show.

Her show got cancelled. I think that's why her agent has been getting her spots in every single "real news" scene in every movie & tv show this last year. I can remember seeing her in at least four or five, I swear.

I'm surprised nobody said anything about GOODFELLAS, & how closely that scene with the "deputy director," in that dim-lit hallway, resembled the scene where Jimmy offers Karen a "dress."

Can I be on this show? Pretty pretty please??

There is literally no way this will be good. Bet your bottom dollar.

Wait, why is Elliot in prison? Does anybody have any idea?

Excuse my mistaking the appellate court for the lower court; you're right, it was overturned, & the lower court decided not to pursue charges because she was no longer willing to testify. My mistake.

When you wave in your two buddies to have sex with the girl you're currently having sex with, & one of them says "um, gross, no thanks" & leaves, & the other joins in; & then for weeks afterwards the girl has to beg & feign pregnancy to get you to admit who that "third person" was "whose dick was in my mouth when I