It's set during WWI. She ain't fighting no Nazzies.

Zack Snyder & David Goyer are still intimately involved in overseeing everything. So imagine Zack Snyder + David Goyer + (Zack Snyder + books - Ayd Rand) for a second.

Jimmy Olson is shot in the face in one of the opening scenes because a giant beeping tracking device in his camera gives away that he's actually a CIA spook, although nobody ever says his name (there are like five opening scenes, fwiw).

Also the name of the evil banker from the original comics. His superpower is Usury. Remember when he locked Superman in debtor's prison?!

Uhhhh James Wan's version of AQUAMAN is nothing to be excited about. He's like Zack Snyder + boobs - Ayn Rand.

That's actually a pretty darn good idear.

I personally think the CONCEPT of Superman in this universe IS, in fact, interesting, & compelling: an all-powerful, god-like alien arrives on earth & grows up in a modern America. Great. I dig it; you've got me. BUT (a major but): Goyer & Snyder couldn't be further from the right people for this material. Goyer…

Incredible, unexpected, & hilarious end to an amazing season of television.

Hey now, what about Kris Kristofferson ?? He's double the Chris, & with special K's to boot.

Rhea Seehorn is incredible. That shot of her listening to Schweikart was wonderful. How is she not in more stuff ? How is she not a bigger actress ?

This episode was so brilliantly sad & beautiful & perfect, although it couldn't've happened anywhere in the season until now. What a show. I sat there, as the credits rolled, smiling but with wet eyes.

Needed less Foggy, though.

I have to say, the cinematography & general production values seem much-improved from season one, at least judging from the trailers. Maybe they got more money this time around (probably, right ?) but everything looks a whole lot more REAL & REALISTIC, instead of, for example, the strange "Williamsburg as EVERY…

Try as I might, I simply cannot understand WHY make this movie ? Is it like that thing where a punk rocker has made so many punk records that making, like, a straightforward country record suddenly seems like the punk thing to do ?

This looks like the kind of movie that, back when I was in high school, all the kids who listened to Bright Eyes & did musical theatre would've been obsessed with. If it weren't for Eva Green I wouldn't've even made it through the trailer.

I agree with beema. You're reading far too much into this. If anything, Dale is asexual, not that it matters. He's just a self-involved, damaged, weirdo who is so desperate to appear "normal" & in-control that he overextends himself into total-weirdo territory constantly.

Ummmmmmmmm. So many questions. I'll try to focus on one:

i. First, the EARLY works:

Part of me was secretly hoping that the vet's job offer was Jimmy calling in Mike to beat the shit out of Chuck (or, alternately, spook him big-time with some "electro-magnetism").

Last two weeks' episodes, scripted by Samuel D. Hunter (his only two for the season/series), raised the bar so high, that I almost implicitly expected this week's episode to falter, but it was funny- & different-enough (I didn't expect we'd ever actually get to MEET the twins, for some reason) that it worked quite…