Goldthwait is a fantastic film maker, and Willow Creek looks brilliant. I hope that it finds distribution here in the U.K.

I hadn't considered that, although I doubt he'd go door to door. Most likely, he'd read some youtube comments and then just decide to head back home.

Would the white equivalent of this be Mrs Brown's Boys? Because that divides my house in that my daughter and wife love it, but my son and I watch it with the disdain you would reserve for an uninvited stranger on your front lawn

I am wary of this, because Hellblazer has had some heavyweight creative talent on it. Millgan, Ellis, Ennis, Neil Gaiman and when it has been translated into other media, it's been poorly conceived. I tend to adopt an approach that it's not my character, it's DC/Warner Bros and artistic considerations differ from…

It wasn't shocking or innovative, just felt slightly desperate and forced. It's a shame as she is an immensely talented musician.

Yes, it's in his book where he was initially refusing to take his shirt off for a scene in Catch and Release, and he said about it then. That was shocking to me, and to be honest, I don't connect with his work much at all but I found his Fatman on Batman podcast endearing and I like how he presents himself. Just not a…

I actually think she's lovely.

Childress wanted to die, I feel. The essential part of the ritual, in his psychosis was that he die in the seat of his 'power' and it was so lovingly filmed and detailed.

I was in awe, the choices that were made in terms of illustrating Childress, almost humanizing and yet there was something rich in the corruption and the madness on display without you being walked through it. The ending was, for me, fantastic in the sense that Cohle and Hart have been given a chance to heal,…

Breaking Bad, Arlington Road, Oldboy(the original), 13 Assassins. Endings are tough to get right, let alone to do them well.

300:Straight to DVD, Do Not Pass Go.

They say you shouldn't meet your heroes for that reason but Warren Ellis was brilliant, Darick Robertson was a complete gentleman and those are the only ones I've met so far in person. Online, well let's just say I don't follow Richard Dawkins or Ricky Gervais, but I enjoy their writing still.

Certain writers are: Seanbaby, David Wong are fantastic. Daniel O'Brien is especially good, and you know, it's free to read. I love The Onion but can't afford a subscription to it, otherwise I would.

It isn't eccentric at all. She's funny, she's smart and she seems entirely comfortable with herself.

I have a profound respect for his earlier work. However, and this is probably really shallow, if I find the politics of an artist distasteful, I find it difficult to really connect with his or her work. I always find it odd that an artist, whose profession is to connect with people, holds views of separation and…

I watch each episode more than once, and that's nice in a time when you can forget what a show is about before the credits have rolled.

I liked the second book, it's definitely the work of a more confident writer who is exploring some really interesting concepts. It's a shame that Gladstone hasn't written a book that has been received but he's written one, and that's an achievement in itself.

Either finish or revamp Profit or American Gothic

I am reminded of the Peter Straub short story 'Fee' or 'Koko' the novel, both of which would make fantastic variations on this theme. In fact, aside from Ghost Story, it's criminal that Straub has not had more exposure.

I enjoyed the first season of Heroes immensely. The ending was a bit of a let down, but I held out high hopes for the second season, then I experienced the gradual recognition that between the two, they had decided to start treating the audience like idiots. No subtlety in the dialogue, exposition being spat out in…