I think the main thing is Blink still doesn’t have a lot of practice in controlling her power. Before coming to the underground, she mostly used it in moments of panic. Giving her a strong emotion to attach to what she’s doing is the way they’ve been using to motivate her.

I’m still kind of rooting for just a publicly out Ollie, but I don’t know how well that would work considering the amount of people he’s killed.

Frequency was canceled, so she can certainly show up, no?

Does she weigh the same as a duck?

Yeah, I’m with you on that.

It only makes sense if Avis & Hertz still existed as rental companies in the future.

We should probably leave now.

We were so much younger then.

That’s the root of the problem here.

But it could be a scene from a later episode edited into this one.

Disagree: I live in a perfectly nice neighborhood in Austin where we don’t have an HOA. Now, there’s one just a few blocks away that has a STRICT one, and NO THANK YOU to that. But where I am, its pretty chill.

I really don’t. She makes comments about how sinful her life was before finding Jesus, and thus she was lost and miserable, but there’s no sense of What Happened. She seemed happy before, she seems happy now— just in very different ways.

She probably got her start somewhere....

It can be that abrupt. I have an acquaintance, and if you look at her Facebook posts up to a certain date, it’s all pretty much having fun with her best friend, goofy-drinking, low-key partying type stuff. And then it takes a hard right into Jesustown after that date. There’s no build up. None. (But it’s…

God, I love that E! Hollywood Story. Alan Thicke telling him, “Look, if Growing Pains is playing too blue for your taste, you might need to get out of network television.”

Jacqueline on Kimmy Schmidt was right.

Our Rick has abandoned Beths in both Cronenberg World and Squirrel World, so... there you go.

I look at it less as a comedy and more of Ed’s main character beat is “make bad jokes to try to cut the tension”.

I think there are people who put so much emotional investment in the idea that, say, a Batman/Superman movie HAS to be awesome that they’re against any evidence to the contrary.