madame-bratvatsky
Madame Bratvatsky
madame-bratvatsky

Bit or not, Ingraham is almost sort of cute and charming here.

Because for those of us born into a world prior to a 24/7/365 Internet, wanting physical backups of digital media was a no-brainer. I wish CD-R and CD-R burners were still common.

How far back we talking? Like, “Duck Job” and “Did You Ever Wonder?” 

They didn’t “discover” copyright. They ‘disrupted’ copyright. And in doing so, our expectations of copyright have been ‘subverted’ by NFT’s said ‘disruption’ of copyright. In reality, NFTs’ economic benefit and utility are fairly elementary, and can be expressed through simple arithmetic:

There’s also the issue, that—with few exceptions—mainstream Country music artists, are almost existentially reliant on support from the Nashville system.

I can’t think of a specific uniting theme, or source work he could adapt, but I’d like to see a PTA film that gets him out of California. My vote is for late 1950s-early 1960s NYC or Paris. Either dealing with fictional outsiders looking for a way in to the Beatnik and other countercultures of that time.

No. No! NO! NOOO!!!

I need this flick to hurry up, get made, and get forgotten so I can stop misreading headlines that only get my hopes up for a Boondocks revival (with McGruder at the helm, obvs) that’s never going to happen

Tried to see this twice in the past week but missed both showings on account of my friend not feeling well. The second failed attempt was supposed to be the last night of IMAX showings, so I was kind of bummed thinking I’d missed out. Friend’s health was obviously more important, but still…

I don’t know how Kinja’s spoiler script/tag/whatever works, so forgive my lack of brevity. Hereditary’s overarching plot and ending aren’t what makes it horrific; same for that other part.

I’ve seen pro-wrestling that looks more real than Seagal’s fight scenes.

The Broken Lizard crew also seems game for just about any sort of improvisation. Telling an actor of Brian Cox’s caliber, “Yeah, this is the line we wrote and if you want to use it to loosen up that’s fine by us. Also fine by us: DO WHATEVER THE FUCK YOU WANT. And…Action!”, is probably one of the more amusing ways to

I hope Cox is doing a “Fuck you. Fuck you. You were cool. Fuck you…”-style memoir because he’s materially secure enough he doesn’t need to worry about the feelings of others and not because an illness is speeding up his exit.

Was the offer in writing, and did it include any deals on the back-end? Revenue points? Residuals? Downside guarantee? I’m not endorsing the US military, but given the US’ recent drawdowns from its “official wars”, you might be able to hop in, write the next Ant-Man, do some press, cash a big AF bag and gtfo before

I can’t remember if it was featured on the show, one of the movies, or both.

I don’t know the “1-2-3, A-B-C” of how we get there, but after reading your comment—with its modern political and media references alongside Freddy’s name—I know one thing to be true: We have to make a  Nightmare On Elm Street where Freddy becomes President.

So, you want a movie with that centers its narrative around dragons dealing with rape?

Off-camera? No, definitely not.

Hypothetically speaking, if a person were to watch that Simpson’s clip dozens and dozens of times in a row—the intensity of their uncontrollable bawling increasing with every viewing—should they consult a medical professional?

It’s a hand of someone in the background beyond the lens’ depth of field.