I can’t wait, but I can already hear people saying all the show’s charm is lost with the bigger budget. 

The low hanging fruit gets plucked fast.

Can’t have corporations making false and misleading statements in Texas. That’s the GOP’s job!

I’m sure she’ll have a fantastic time explaining to advertisers how great it will be to have their ads next to Tucker Carlson’s openly bigoted nazi show

If nothing else, this whole debacle has SERVERELY called into question Harvard Law’s “honor program” standards.

Announcement from Tim Sweeney that EGS is now a digital casino incoming in 3, 2, 1....

Gung Ho 2 Electric Boogaloo!

Multimultiplicity?

Nice one!

Mambo?

Between this and the Flash movie, Keaton’s just going to cash in doing sequels to all his 80s roles. Personally, I’m holding out for Mr. Grandma.

He went on strike in solidarity with the WGA the last time, it’s just no one told him that one ended.

David Zaslav probably believes it could.

He can’t. Making up lies counts as writing.

A showrunner doesn’t just write the show, they essentially direct the entire production, set the schedule, have the final say on casting, work out the budget, and deal with any random problems that may arise. They are almost always writers but they are never JUST writers.

The Winds of Winter novel, unaffected by a film and TV strike, “continues to be priority number one,” if anyone was wondering.

If the Story Editors of 2023 are not allowed to get any production experience, where do the studios think the Showrunners of 2033 are going to come from?

Guy who hasn’t written anything in years supports writers refusing to write.
I guess this checks out.

Armaments, Chapter 2, verses 9 to 21...

They know how big their script inventory is and how long it will be before they start losing real money. They won’t negotiate in good faith till they get close to that date.