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Oof. True.

Shhhhhh....forget about Season 1.

Shhhhhh....forget about Season 1.

Yeah, this Wells is way more interesting and entertaining than previous seasons.

Jesse L Martin sells the hell out of everything. 

I really enjoyed it. I get your complaints about freshness, but it was a pretty fun hour-which is what this show’s all about. I do agree that they seem to be spinning wheels until Crisis-same thing happened in the first half of Season 2, when they had to devote tons of time to Legends set-up. Nothing really huge can

Where’s School of Rock’s best picture Oscar dammit?

Yeah, Charles is never going to ascend to the throne, is he?

Even if I’d never heard of it, I doubt I would have thought much of it to be honest. 

It’s a good question. I take things like that with a bit of a grain of salt-I think it’s a bit of an over-generalization-I wouldn’t watch them and Moore wouldn’t be writing in the genre if it really was that awful all the time. The other thing is that I don’t care for a lot of superhero media and I myself call it out

You should! They’re really great.

Yup, he also wrote The Killing Joke and For the Man Who Has Everything.

I didn’t really care for Lady Bird either. It was decent, but didn’t really excel at anything in particular.

The Social Network is so good.

I wouldn’t say I love pretentious films, but I think Scorsese brought up some very valid points nonetheless.

I like School of Rock more than Boyhood. (Not this decade, but still).

This episode was amazing-only thing bringing this season down was Vera, and now he’s gone. 

His work on The Pacific is my favorite of his outside of this.

Yeah, I recognize that Episode 5 was a terrific achievement, but I find it more impressive when shows go without action and focus heavily on dialogue-which this episode pulled off spectacularly. It takes a truly great show to do it. Riveting stuff from start to finish.

Lol you are so right about the internet arguments thing. So right it’s crazy.