Helen Mirren is a desperate needy actress in this film. I shudder to think what that says about her.

Oy, the cloying sentimentality.

This would be a perfect movie if Will Smith was dead and in hell.

Basically everyone in this movie is a grifter pulling a long con.

"Have you thought this through?" - Helen Mirren asking the question that should be asked to the production team.

"This is the work. This is acting!" - Helen Mirren attempting to sell it!

"So you want us to gaslight your boss?" Acknowledging the plot.

And he chases the mysterious Keira Knightley to a mysterious theater apparently only run by two British women and a African-American youth. Now, if they are so poor… how is it possible they have their own theater?

I think Keira Knightley is trying to flee this movie to get to the Pirates of the Caribbean set…

Oh look! Will Smith is playing a mute. Who thought that was a good idea? They should have just hired Jodie Foster.

"Why don't you want to spend Christmas with me?"

Hey! They openly acknowledge the thing they are trying to use to make him seem crazy is therapeutic.

"When something starts with a six-year-old dying…nothing is going to feel right." -Actual dialogue.

And they really are scheming to steal his company for profit because he is too grief stricken for him to deal with.

Oh hey, it really is about corporate mergers.

Soooo… Love, Time, and Death are… advertising schemes?

Time to start Collateral Beauty….

And have you fallen in love with Magneto yet?

Should I watch Passengers or Collateral Beauty tonight?

Say, how are you enjoying Emma Frost?