little8bitcartridge
Little8bitCartridge
little8bitcartridge

It’s called taxes, not exploitation.

HoW is going to be a game-changer.

Maybe if they search hard enough they’ll find an actual story hidden in the game somewhere!

With the exception that Zeppelin actually played, you know, guitars.

Skrillex? Really?

And the pithy “no you!” comeback too! Wow, you’re just firing on all cylinders there. Please, go on, tell us how you write better fiction than others and how you’re just so creative that the mundane bores you so.

Those are still mannequin dress up. There is no actual “character” to be made there.

Ah, lazy generalities. The sign of a truly creative person.

You’re not turning the machine off, you’re putting it in sleep mode with a background connection still active. It’s only because crappy companies like Ubisoft are forcing online connection in their games and will throw you out of single player experiences like Far Cry 4 because they “lost connection to the server.”

Why? Based on the past few AC’s, it’s like the COD franchise at this point. Same game, different skin.

I have absolutely no problems with feminism that wishes for equality for all and not special treatment for some (and death for others). I want all of my journalism to be the fairest, most accurate reports they can be. So I guess I’m in the first bracket.

Valve region locks to Russia mainly. Almost everyone can get their games from elsewhere and still have them on Steam. Blu-ray region locking is nearly entirely over, only a small portion of companies do it anymore and region free blu-ray players are becoming commonplace.

I could still handle region locking, even if it’s a pain in the ass, but Nintendo’s policy of tying the store purchased games to the DEVICE and not the user handle is what has almost kept me entirely away from their products. In this day and age, it’s almost inconceivable to think that a company as massive as Nintendo

That’s cute, and seemingly the one tactic your kind of people always fall back on when you realize that you’re wrong and refuse to change your attitudes.

How is that different from when anti-gamers send hundreds, if not thousands, of tweets to game companies that their social media people need to be fired for a joke? Or when they swarm a company demanding a joke to be removed from Pillars of Eternity because someone had misunderstood it and then presented that

Well, because you’re responding, and I wanted to optimistically think that it’s not just because you love the sound of your own typing so much, but rather that you’d actually want to educate yourself and not live in a bubble all your life.

There’s the thing: these women are not facing constant harassment or anything that would be even comparable to what, for example, Justin Bieber faces on a daily basis. In fact, most of the statistics that are posted about that are either sensationalized or flat out falsely reported:

The one scene where it looks like a hero explicitly ends a bad guy’s life? Director Joss Whedon cuts away from the deed, leaving it ambiguous as to what actually happens

There’s the thing, what you may think is “common knowledge” rare is that to the public. Especially in gaming, where it’s nearly ever changing. That’s why disclaimers are disclaimers, so that there’s no chance of stupidity slipping by. I can’t speak for the Grayson thing, I missed it and joined “the party” too late,

Telling people that you’re a) related or affiliated with a product you’re shilling, or b) have some vested interest in seeing something succeed is both good ethics and is a required disclaimer nearly everywhere else. Why is it suddenly a taboo to want that same thing in games journalism?