Dammit, did you say this just so I'd imagine Serafinowicz doing all of Santa's lines? 'Cause it worked.

Not enough to counteract the additional pressure from the staple we see he used to secure it. If I - somehow - were in this situation I'd use the burger's absorbent bun.

Speaking of good voice work, I think this might be Peter Serafinowicz's first time as a regular "evil upper-class plotter" type (of course Darth Maul don' count) and you can tell it's something he's been anticipating for years.

If we're actually operating on this level, a pickle wouldn't stop pickle juices leaking out from another pickle.

"Farewell, Solenja…"

I like how casually they threw in Morty naming the arm "Armothy".

I'm happy to see a Tony Hale character who's not a) a put-upon patsy (AD, Veep) or b) in an awful movie no one remembers (American Ultra, Transformers V, one of those goddamn new Kevin Smiths)

Excellent username/comment work.

His palms are sweaty
Knees weak, arms are heavy
His emotional manual override's ready
Mom's spaghetti

I saw that as a clown on Mad Max's Australian roots more than anything. Bonza!

I like how the opening bit in the wasteland is a literalization of R&M's remit as a sci-fi show: We recreate the ending of Fury Road inside of twenty seconds, and the rest of the episode uses it as a springboard to get into the much more elaborate sci-fi of what that ending would look like, and uses it as a pretext to…

When the girls blow us kisses, ME LIKEY DAT!

Ravid Rowry?

It wasn't 'til that very last scene when I realized: The V.M. stands for Voldemort. Not only does that name have a Trace on it, but his main strength is resourcefulness, intimidation, and a lot of goons who he mostly picks up because they're petty bullies.

We all know how it goes: Gloria stabs Varga with her Creep-Killer sword, but that other DHS guy turns out to be the real God Of War all along.

This is gonna sound awfully hackneyed, but he's the Bannon to Varga's Milo: The old-school terrible people who see an opportunity for brutal power and control through the common ground of the new school's ideas of "Nothing is true, so whatever I say goes".

(Sees you're talking to Jonah) Hey, Kate, are you alright?

This was the best of the season by far, and Ian Maxtone-Graham getting the writer's credit goes a long way towards explaining that. Also Furlong being surprisingly honest to Amy, everything about Kent ("My snatch isn't a data port!") and of course the inimitable Hugh Laurie, who I'm overjoyed went as dark as he did.

He's actually works in costuming, normally - making superhero suits and so forth - but he also does various odd-jobs on set, which means he's been in more than a few crowd scenes.

I thought it meant he's an exemplar of the type - i.e. "Your Show Of Shows".