Classic Danson. The CB bit too. Almost Becker-ish in this episode.

The waitress did.

First, you see the dump truck then the mound of dirt then the mechanically dug hole. Then, in the quiet moments you hear the dump truck idling. Then you see the steam when they talk. After the dump, I thought it was awfully dark solid dirt then I saw the steam from the "dirt" and thought OH SHIT!

Herd of cows?
Sure, I've heard of cows.
No, I'm saying Rye got fed to cows.
I thought cows only eat grain?
Oh forget it!

Yeah, I focused on that for several seconds. I don't think the door jamming was staged. It would be nice to read an episodic behind-the-scenes of her getting injured there.

I'm no longer giving the previews any mind. Previous ones showed Skip pleading with someone then a Kitchen blasting a shotgun. I thought he blasted Skip. So NOW the blast is reserved for someone else. Sigh.

The two standoffs that Lou got into were brilliantly done. However, we know he will survive anything he gets himself into, correct? (Unless he dies and the aliens revive him.) When I saw the previews of the Milligan standoff last week, I immediately thought of, and forgive this synapse, Jack Shepard on Lost's…

You know you're totally absorbed in a show to notice that on Main Street Luverne is Mike Zoss Pharmacy. Coen fanatics should know the name, and "Old Men" viewers damn well better!

He gained weight for his role in the film Black Mass, which wrapped six months before this season started filming. Kept the weight on.

I liked her "Fancy" more than "Ode" of the radio released ones, but she never had a bad song, in my opinion.

"She’s tough, but… you know, a girl." I cannot wait for Jean Smart's Floyd's shining moments.

And I know the "Children of the Sun" song was popular at the time, but I was thinking why it was playing in the episode. Then came the bright lights in the woods, so I was like "Okay, then!"

I lost all focus after seeing Kirsten's Peggy in a sweater…..

Jenny's babysitter in FG who dropped off little Forrest because she was double parked.

MD had two Golden Globes for that movie.

From a child born in the late-1960s of mid-1970s divorced parents, thank you, Mr. Wiener, for having a finale that wavers between mothers and fathers raising their children. Including the casual he's "a little weird, actually. I think there might be something wrong with him" and Joan's decision to be a producer,…

I am also one who does not think Mr. Draper alone came up with the syrupy catchy Coke jingle. However, I can see him going back to what he does best and spitballing the idea of its global implications to the office, adding where he got the idea. It also unites and signifies the end of that decade.

Winks & homages are fine for me. But if you're going to show isolation, show isolation. Showing Dr. Jenkins in Seattle when you just showed him in the hospital isn't isolation, or was that a "side-flash"? (Yes, I know he's Ben Linus who has a submarine somewhere.) Might as well devote an entire episode to his wife and…

"You’re going to outlive me, and I want you to be safe."

When Norman took Bailey down that side road in the dark, I thought "Swamp Time!"