libsexdogg
L.S. Dog
libsexdogg

I love The Boys, but the Amazon incarnation of The Tick was a tragedy to lose after two seasons. It took me a while to warm up to the more “grounded” (relatively speaking) version of the characters, but it totally worked. 

I dunno, as Keanu gets older, I find it increasingly hard to buy into him being a Constant Teen. 

Keanu

Well, fuck. That’s a shame. I’ve been so curious to see if they can make Kills and Ends as fun as ‘18 despite the usually bad idea of rushing back-to-back sequels in response to unexpected success. Extra lame since “compromised theater experiences” don’t mean much to me in regards to horror given that I’m of the

Late to the party, but after the much improved second season, I decided to watch the rest of season one that I had skipped, and this episode sticks in my craw a bit. For a plot about the show’s legacy, it felt the least like an actual TZ episode. I liked the haunting angle as a genre fan, and the meta angle because

I was never into Westerns in the least, but Morricone’s music is incredible. (hell, the fact that I enjoy his work despite never having seen the films it’s meant to accompany says a lot)

Probably got hit with a copyright strike from Sony Music’s extremely litigious bird team. You can trust me, I’m a birdsman. 

I get really anxious doing everyday things while being watched, which means I make a lot of small, dumb mistakes because I’m overthinking it, and it snowballs into situations not unlike this woman’s. I’m not going to get up on a soapbox and say the video isn’t funny, it is, but I do feel for her.

Meanwhile, at Nintendo:
“Dammit, they beat us to it! Quick, get the Amiiboner into production!”

“But sir, it’s not ready yet! There’s only a 20% survival rate in the labs!”

“YOU HEARD ME.”

“Y-yes sir... lord, forgive us. We are become death, the destroyer of butts.”

Holy fuck, that bio. That’s the most infuriatingly smug, sociopathic shit I’ve read in a while, and this is *the* banner year for infuriatingly smug, sociopathic shit.

I’m holding out for the prequel, “Shakedown: 1979". I’d play both, but cool kids never have the time.

I actually love that Burton’s Gotham doesn’t look real. It just adds a further layer of oddity to the whole thing. Like the Christmas tree scene in Returns... it’s so clearly indoors, but it somehow works for a movie as insane as that. 

The only difference in our local version was that “The Batmobile had a broken wheel” instead of losing its wheel. 

Called it. I knew he’d lose his shit even harder once the pendulum swung in the opposing direction. As dangerous and infuriating as these tweets are, there’s definitely a satisfaction in watching him panic. I plan to single handedly keep the popcorn industry afloat come November, because holy shit, we are in for a

Quibi’s in trouble? I, for one, am taken entirely by surprise! 

Somehow, some way, I think I’ll be okay not talking to Jeremy Piven for any price. Even if I had 15k to blow on anything I wanted and was rich enough to not miss it, I can’t see any course of life decisions that would lead me to say “Hey, let’s ring up Jeremy Piven”. 

My god, I need it. F13* from Jason’s POV by way of King would be batshit insane (for better or worse) and I want it desperately.

Oh god, I was so focused on Netherrealm games that I didn’t consider the Arkham franchise’s fate. I am officially nervous. 

I’d love to see a character in a movie tackle multiple mental illnesses accurately. It’s disappointing seeing, say, a realistic character with bipolar and still not being able to relate because it’s still not the same as the effects of bipolar plus OCD plus severe anxiety, etc. It makes you feel like an outsider among

I think you’re including yourself in a group that doesn’t want your participation, champ.